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2019

Book Chapter

Post-traumatic stress disorder and the performance reception of Sophocles’ Ajax

Cole, Emma (2019). Post-traumatic stress disorder and the performance reception of Sophocles’ Ajax. Looking at Ajax. (pp. 151-160) edited by David Stuttard. New York, NY, United States: Bloomsbury Academic. doi: 10.5040/9781350072336.ch-012

Post-traumatic stress disorder and the performance reception of Sophocles’ Ajax

2017

Other Outputs

Kabeiroi

Barrett, Felix, Duggan, Kath and Cole, Emma (academic research adviser) (2017). Kabeiroi. London, United Kingdom: Punchdrunk.

Kabeiroi

2017

Journal Article

Review of: Greek Drama and its Reception - (B.) van Zyl Smit (ed.) A Handbook to the Reception of Greek Drama. Pp. xviii + 601, figs, ills. Malden, MA and Oxford: Wiley Blackwell, 2016. Cased, £120, €150, US$195. ISBN: 978-1-118-34775-1

Cole, Emma (2017). Review of: Greek Drama and its Reception - (B.) van Zyl Smit (ed.) A Handbook to the Reception of Greek Drama. Pp. xviii + 601, figs, ills. Malden, MA and Oxford: Wiley Blackwell, 2016. Cased, £120, €150, US$195. ISBN: 978-1-118-34775-1. The Classical Review, 67 (2), 555-557. doi: 10.1017/s0009840x17001044

Review of: Greek Drama and its Reception - (B.) van Zyl Smit (ed.) A Handbook to the Reception of Greek Drama. Pp. xviii + 601, figs, ills. Malden, MA and Oxford: Wiley Blackwell, 2016. Cased, £120, €150, US$195. ISBN: 978-1-118-34775-1

2017

Book

Adapting translation for the stage

Brodie, Geraldine and Cole, Emma eds. (2017). Adapting translation for the stage. London, United Kingdom: Routledge. doi: 10.4324/9781315436814

Adapting translation for the stage

2017

Book Chapter

Paralinguistic translation in Sarah Kane's Phaedra's Love

Cole, Emma (2017). Paralinguistic translation in Sarah Kane's Phaedra's Love. Adapting translation for the stage. (pp. 90-103) edited by Geraldine Brodie and Emma Cole. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781315436814-9

Paralinguistic translation in Sarah Kane's Phaedra's Love

2017

Book Chapter

Multiple roles and shifting translations

Mann, Emily, Brodie, Geraldine and Cole, Emma (2017). Multiple roles and shifting translations. Adapting translation for the stage. (pp. 263-275) edited by Geraldine Brodie and Emma Cole. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781315436814-22

Multiple roles and shifting translations

2017

Book Chapter

Introduction

Brodie, Geraldine and Cole, Emma (2017). Introduction. Adapting translation for the stage. (pp. 1-18) edited by Geraldine Brodie and Emma Cole. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781315436814-1

Introduction

2017

Book Chapter

Introduction

Brodie, Geraldine and Cole, Emma (2017). Introduction. Adapting Translation for the Stage. (pp. 1-18) Taylor and Francis Inc.. doi: 10.4324/9781315436814

Introduction

2017

Journal Article

Classical reception pedagogy in liberal arts education

Cole, Emma (2017). Classical reception pedagogy in liberal arts education. CUCD Bulletin, 46, 1-5.

Classical reception pedagogy in liberal arts education

2016

Journal Article

Adapting Greek tragedy during the War on Terror: Martin Crimp’s Cruel and Tender

Cole, Emma (2016). Adapting Greek tragedy during the War on Terror: Martin Crimp’s Cruel and Tender. Journal of Adaptation in Film & Performance, 9 (1), 37-51. doi: 10.1386/jafp.9.1.37_1

Adapting Greek tragedy during the War on Terror: Martin Crimp’s Cruel and Tender

2016

Conference Publication

Suffering Under the Stars: Jan Fabre’s Mount Olympus as Postdramatic Performance

Cole, Emma (2016). Suffering Under the Stars: Jan Fabre’s Mount Olympus as Postdramatic Performance. Theatre and Performance Research Association (TaPRA) annual conference, Bristol, United Kingdom, 5-7 September 2016.

Suffering Under the Stars: Jan Fabre’s Mount Olympus as Postdramatic Performance

2015

Journal Article

The Method behind the madness: Katie Mitchell, Stanislavski, and the classics

Cole, Emma (2015). The Method behind the madness: Katie Mitchell, Stanislavski, and the classics. Classical Receptions Journal, 7 (3), 400-421. doi: 10.1093/crj/clu022

The Method behind the madness: Katie Mitchell, Stanislavski, and the classics