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2015 Book Chapter Queer (mis)representations of early modern sexual monstersSellberg, Karin (2015). Queer (mis)representations of early modern sexual monsters. Sex, Knowledge, and Receptions of the Past. (pp. 243-264) edited by Kate Fisher and Rebecca Langlands. Oxford, United Kingdom: Oxford Univerisity Press. |
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2015 Book Chapter Embodied platonisms: the erotic choreographies of Angela Carter and John Cameron MitchellSellberg, Karin (2015). Embodied platonisms: the erotic choreographies of Angela Carter and John Cameron Mitchell. Corporeality and culture: bodies in movement. (pp. 95-108) edited by Karin Sellberg, Lena Wanggren and Kamillea Aghtan. Farnham, Surrey, United Kingdom: Ashgate. doi: 10.4324/9781315574363-14 |
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2015 Book Chapter Beyond queer time after 9/11: the work of Jeanette WintersonSellberg, Karin (2015). Beyond queer time after 9/11: the work of Jeanette Winterson. Women's fiction and post-9/11 contexts. (pp. 65-79) edited by Peter Childs, Claire Colebrook and Sebastian Groes. Lanham, MD, United States: Lexington Books. |
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2015 Book Chapter Monsters, margins and corporealising choreographiesSellberg, Karin (2015). Monsters, margins and corporealising choreographies. Corporeality and culture: bodies in movement. (pp. 47-52) edited by Karin Sellberg, Lena Wanggren and Kamillea Aghtan. Farnham, Surrey, United Kingdom: Ashgate. |
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2012 Book Chapter Transgender identity and passing authentically. Pro-passing, transgender identity and literature: (post-)transexual politics and poetics of passingSellberg, Karin (2012). Transgender identity and passing authentically. Pro-passing, transgender identity and literature: (post-)transexual politics and poetics of passing. Passing/Out: Sexual Identity Veiled and Revealed. (pp. 211-219) edited by Dennis R. Cooley and Kelby Harrison. Farnham, Surrey, England: Ashgate Publishing. |
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2012 Book Chapter Slime and time: cannibalistic erotics at the limits of temporal transgressionSellberg, Karin (2012). Slime and time: cannibalistic erotics at the limits of temporal transgression. Transgression and Its Limits. (pp. 121-132) edited by Matt Foley, Neil McRobert and Aspasia Stephanou. Cambridge, UK: Cambridge Scholars Publishing. |
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2020 Book Chapter Corporeal Creativity and Queer Gaps in TimeSellberg, Karin (2020). Corporeal Creativity and Queer Gaps in Time. How Literature Comes to Matter. (pp. 172-190) edited by Moslund, Sten Pultz, Marcussen, Marlene Karlsson and Pedersen, Martin Karlsson. Edinburgh, United Kingdom: Edinburgh University Press. doi: 10.3366/edinburgh/9781474461313.003.0009 |
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2019 Book Chapter Queer Patience: Sedgwick’s Identity NarrativesSellberg, Karin (2019). Queer Patience: Sedgwick’s Identity Narratives. Reading Sedgwick. (pp. 189-202) Durham, NC United States: Duke University Press. doi: 10.1215/9781478005339-014 |
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2019 Book Chapter “Bloody business”: passions and regulation of sanguinity in William Shakespeare’s Macbeth and King LearSellberg, Karin (2019). “Bloody business”: passions and regulation of sanguinity in William Shakespeare’s Macbeth and King Lear. Fluid bodies and bodily fluids in premodern Europe: bodies, blood, and tears in literature, theology, and art. (pp. 113-129) edited by Anne M. Scott and Michael David Barbezat. Leeds, United Kingdom: Arc Humanities Press. |
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2018 Book Chapter IntroductionSellberg, Karin and Hoogland, Renee C. (2018). Introduction. Gender: time. (pp. xiii-xvii) edited by Karin Sellberg. New York, NY, United States: Macmillan Reference USA. |
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2018 Book Chapter Feminist historiographySellberg, Karin and Donaghy, Paige (2018). Feminist historiography. Gender: time. (pp. 67-84) edited by Karin Sellberg. New York, NY United States: Macmillan Reference USA. |
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2018 Book Chapter Literary temporalitiesSellberg, Karin (2018). Literary temporalities. Gender: time. (pp. 301-316) edited by Karin Sellberg. New York, United States: Macmillan Reference USA. |
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2016 Book Chapter Post cinematic affect: a conversation in five partsBowman, Paul, Cannon, Kristopher, del Rio, Elena, Denson, Shane, Ivakhiv, Adrian, Maccormack, Patricia, O'Rourke, Michael, Sellberg, Karin and Shaviro, Steven (2016). Post cinematic affect: a conversation in five parts. Post cinema: theorizing 21st-century film. (pp. 879-932) edited by Shane Denson and Julia Leyda. Falmer, Sussex, United Kingdom: REFRAME Books. |
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2015 Book Chapter PrefaceSellberg, Karin, Wanggren, Lena and Aghtan, Kamillea (2015). Preface. Corporeality and culture: bodies in movement. (pp. xiii-xv) edited by Karin Sellberg, Lena Wanggren and Kamillea Aghtan. Farnham, England: Ashgate. |
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2013 Book Chapter ForewordSellberg, Karin and Tym, Linda (2013). Foreword. Northern Light: New Writing 2012-2013. A collection of poetry, prose and essays from the 2012–13 Scottish Universities' International Summer School in Edinburgh, Scotland. (pp. 1-2) edited by Karin Sellberg and Linda Tym. Edinburgh, Scotland, UK: Scottish Universities' International Summer School (SUISS) Publications. |
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2013 Book Chapter The dismemberment of will: early modern fear of castrationSellberg, Karin and Wånggren, Lena (2013). The dismemberment of will: early modern fear of castration. Castration and Culture in the Middle Ages. (pp. 295-313) edited by Larissa Tracy. Cambridge, UK: D. S. Brewer. |
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2012 Book Chapter Transgender identity and passing authentically: a response to overallSellberg, Karin (2012). Transgender identity and passing authentically: a response to overall. Passing/Out: Sexual Identity Veiled and Revealed. (pp. 229-231) edited by Dennis R. Cooley and Kelby Harrison. Farnham, Surrey, England: Ashgate Publishing. |
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2012 Book Chapter Transgender identity and passing authentically: comments on Christine Overall's "Gender, Aspirational Identity, and Passing"Sellberg, Karin (2012). Transgender identity and passing authentically: comments on Christine Overall's "Gender, Aspirational Identity, and Passing". Passing/Out: Sexual Identity Veiled and Revealed. (pp. 223-227) edited by Dennis R. Cooley and Kelby Harrison. Farnham, Surrey, England: Ashgate Publishing. |
