Overview
Availability
- Dr Duncan Hubber is:
- Not available for supervision
Qualifications
- Doctor of Philosophy of Film, Television and Digital Media, Federation University Australia
Works
Search Professor Duncan Hubber’s works on UQ eSpace
2025
Journal Article
Slender is the night: The traumatized interface of Marble Hornets
Hubber, Duncan (2025). Slender is the night: The traumatized interface of Marble Hornets. Horror Studies, 16 (2), 173-190. doi: 10.1386/host_00101_1
2025
Journal Article
Hell Hath No Fury: The Madonna-Whore Dichotomy in HBO’s House of the Dragon
Hubber, Duncan (2025). Hell Hath No Fury: The Madonna-Whore Dichotomy in HBO’s House of the Dragon. Messengers from the Stars: On Science Fiction and Fantasy, 7 (1), 46-60.
2024
Book Chapter
User Not Found: The Trauma Virus in Unfriended and The Den
Hubber, Duncan (2024). User Not Found: The Trauma Virus in Unfriended and The Den. Toxic Nostalgia on Screen: Undead Memory in the Twenty-First Century. (pp. 271-284) edited by Simon Bacon. London, United Kingdom: Bloomsbury Publishing.
2024
Book
Notes from the Citadel: The Philosophy and Psychology of A Song of Ice and Fire
Hubber, Duncan (2024). Notes from the Citadel: The Philosophy and Psychology of A Song of Ice and Fire. Brisbane, QLD, Australia: Valkyrist Publishing.
2023
Book
POV Horror: The Trauma Aesthetic of the Found Footage Subgenre
Hubber, Duncan (2023). POV Horror: The Trauma Aesthetic of the Found Footage Subgenre. Jefferson, United States: McFarland.
2021
Journal Article
In the End: A Literary Analysis of the Oldstones scene from A Song of Ice and Fire
Hubber, Duncan (2021). In the End: A Literary Analysis of the Oldstones scene from A Song of Ice and Fire. Academia Letters. doi: 10.20935/AL2906
2021
Other Outputs
Diegetic wounds: the representation of individual and collective trauma in found footage horror films
Hubber, Duncan (2021). Diegetic wounds: the representation of individual and collective trauma in found footage horror films. PhD Thesis, School of Arts, Federation University Australia.
2020
Conference Publication
"A shadow on the wall": metanarrative in A Song of Ice and Fire
Hubber, Duncan (2020). "A shadow on the wall": metanarrative in A Song of Ice and Fire. 78th World Science Fiction Convention, Wellington, New Zealand / Online, 29 July - 2 August 2020.
2019
Book Chapter
Shallow focus: trawling the gothic undercurrents of Lake Mungo
Hubber, Duncan (2019). Shallow focus: trawling the gothic undercurrents of Lake Mungo. Horror comes home: essays on hauntings, possessions and other domestic terrors in cinema. (pp. 162-176) edited by Cynthia J. Miller and A. Bowdoin Van Riper. Jefferson, North Carolina, USA: McFarland & Company.
2019
Conference Publication
Pixelated Ghosts: The Gothic Undercurrents of Lake Mungo
Hubber, Duncan (2019). Pixelated Ghosts: The Gothic Undercurrents of Lake Mungo. Supernatural Studies Symposium, New York, NY, United States, 29 March 2019.
2019
Conference Publication
Always watching: demonic panopticism in Paranormal Activity
Hubber, Duncan (2019). Always watching: demonic panopticism in Paranormal Activity. Federation University Australia – Annual Philosophy Symposium, Ballarat, VIC, Australia, 18 February 2019.
2019
Conference Publication
Italian feasts: devouring the national body in Cannibal Holocaust
Hubber, Duncan (2019). Italian feasts: devouring the national body in Cannibal Holocaust. Popular Culture Association, Washington, DC, United States, 17-20 April 2019.
2018
Conference Publication
The monster’s gaze: perpetrator trauma in Zero Day
Hubber, Duncan (2018). The monster’s gaze: perpetrator trauma in Zero Day. Screen Studies Association of Australia and Aoteeara New Zealand, Melbourne, VIC, Australia, 21-23 November 2018.
2017
Journal Article
Exhuming the Past: Found-Footage Horror and National Wounds
Hubber, Duncan (2017). Exhuming the Past: Found-Footage Horror and National Wounds. Frames Cinema Journal, 11.
2017
Conference Publication
Out of the rubble: found footage films and the post-9/11 world
Hubber, Duncan (2017). Out of the rubble: found footage films and the post-9/11 world. Film-Philosophy Conference 2017, Lancaster, United Kingdom, 4-6 July 2017.
2017
Conference Publication
Disputed Melbourne: the contested spaces of Geoffrey Wright’s Romper Stomper
Hubber, Duncan (2017). Disputed Melbourne: the contested spaces of Geoffrey Wright’s Romper Stomper. Screening Melbourne Symposium, Melbourne, VIC, Australia, 22-24 February 2017.
2016
Conference Publication
Glimpsing the primordial: the technological interrogation of folklore in found footage horror films
Hubber, Duncan (2016). Glimpsing the primordial: the technological interrogation of folklore in found footage horror films. New Research on Horror, Dunedin, New Zealand, 16-18 November 2016.
2015
Journal Article
Poisoned Memories: Grief and Addiction in A Song of Ice and Fire
Hubber, Duncan (2015). Poisoned Memories: Grief and Addiction in A Song of Ice and Fire. Tower of the Hand.
2015
Conference Publication
The meaning of mealtime in A Song of Ice and Fire
Hubber, Duncan (2015). The meaning of mealtime in A Song of Ice and Fire. Federation University Australia – Annual Philosophy Symposium, Ballarat, VIC, Australia, 8 December 2015.
2014
Journal Article
Gazing into the abyss: the uncanny attraction of horror cinema
Hubber, Duncan (2014). Gazing into the abyss: the uncanny attraction of horror cinema. Degenerate Magazine, 1 (2).
Media
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