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2025 Journal Article Slender is the night: The traumatized interface of Marble HornetsHubber, Duncan (2025). Slender is the night: The traumatized interface of Marble Hornets. Horror Studies, 16 (2), 173-190. doi: 10.1386/host_00101_1 |
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2025 Journal Article Hell Hath No Fury: The Madonna-Whore Dichotomy in HBO’s House of the DragonHubber, Duncan (2025). Hell Hath No Fury: The Madonna-Whore Dichotomy in HBO’s House of the Dragon. Messengers from the Stars: On Science Fiction and Fantasy, 7 (1), 46-60. |
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2024 Book Chapter User Not Found: The Trauma Virus in Unfriended and The DenHubber, Duncan (2024). User Not Found: The Trauma Virus in Unfriended and The Den. Toxic Nostalgia on Screen: Undead Memory in the Twenty-First Century. (pp. 271-284) edited by Simon Bacon. London, United Kingdom: Bloomsbury Publishing. |
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2024 Book Notes from the Citadel: The Philosophy and Psychology of A Song of Ice and FireHubber, Duncan (2024). Notes from the Citadel: The Philosophy and Psychology of A Song of Ice and Fire. Brisbane, QLD, Australia: Valkyrist Publishing. |
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2023 Book POV Horror: The Trauma Aesthetic of the Found Footage SubgenreHubber, Duncan (2023). POV Horror: The Trauma Aesthetic of the Found Footage Subgenre. Jefferson, United States: McFarland. |
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2021 Journal Article In the End: A Literary Analysis of the Oldstones scene from A Song of Ice and FireHubber, Duncan (2021). In the End: A Literary Analysis of the Oldstones scene from A Song of Ice and Fire. Academia Letters. doi: 10.20935/AL2906 |
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2021 Other Outputs Diegetic wounds: the representation of individual and collective trauma in found footage horror filmsHubber, Duncan (2021). Diegetic wounds: the representation of individual and collective trauma in found footage horror films. PhD Thesis, School of Arts, Federation University Australia. |
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2020 Conference Publication "A shadow on the wall": metanarrative in A Song of Ice and FireHubber, Duncan (2020). "A shadow on the wall": metanarrative in A Song of Ice and Fire. 78th World Science Fiction Convention, Wellington, New Zealand / Online, 29 July - 2 August 2020. |
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2019 Book Chapter Shallow focus: trawling the gothic undercurrents of Lake MungoHubber, Duncan (2019). Shallow focus: trawling the gothic undercurrents of Lake Mungo. Horror comes home: essays on hauntings, possessions and other domestic terrors in cinema. (pp. 162-176) edited by Cynthia J. Miller and A. Bowdoin Van Riper. Jefferson, North Carolina, USA: McFarland & Company. |
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2019 Conference Publication Pixelated Ghosts: The Gothic Undercurrents of Lake MungoHubber, Duncan (2019). Pixelated Ghosts: The Gothic Undercurrents of Lake Mungo. Supernatural Studies Symposium, New York, NY, United States, 29 March 2019. |
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2019 Conference Publication Italian feasts: devouring the national body in Cannibal HolocaustHubber, Duncan (2019). Italian feasts: devouring the national body in Cannibal Holocaust. Popular Culture Association, Washington, DC, United States, 17-20 April 2019. |
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2019 Conference Publication Always watching: demonic panopticism in Paranormal ActivityHubber, Duncan (2019). Always watching: demonic panopticism in Paranormal Activity. Federation University Australia – Annual Philosophy Symposium, Ballarat, VIC, Australia, 18 February 2019. |
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2018 Conference Publication The monster’s gaze: perpetrator trauma in Zero DayHubber, Duncan (2018). The monster’s gaze: perpetrator trauma in Zero Day. Screen Studies Association of Australia and Aoteeara New Zealand, Melbourne, VIC, Australia, 21-23 November 2018. |
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2017 Journal Article Exhuming the Past: Found-Footage Horror and National WoundsHubber, Duncan (2017). Exhuming the Past: Found-Footage Horror and National Wounds. Frames Cinema Journal, 11. |
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2017 Conference Publication Out of the rubble: found footage films and the post-9/11 worldHubber, Duncan (2017). Out of the rubble: found footage films and the post-9/11 world. Film-Philosophy Conference 2017, Lancaster, United Kingdom, 4-6 July 2017. |
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2017 Conference Publication Disputed Melbourne: the contested spaces of Geoffrey Wright’s Romper StomperHubber, Duncan (2017). Disputed Melbourne: the contested spaces of Geoffrey Wright’s Romper Stomper. Screening Melbourne Symposium, Melbourne, VIC, Australia, 22-24 February 2017. |
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2016 Conference Publication Glimpsing the primordial: the technological interrogation of folklore in found footage horror filmsHubber, Duncan (2016). Glimpsing the primordial: the technological interrogation of folklore in found footage horror films. New Research on Horror, Dunedin, New Zealand, 16-18 November 2016. |
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2015 Journal Article Poisoned Memories: Grief and Addiction in A Song of Ice and FireHubber, Duncan (2015). Poisoned Memories: Grief and Addiction in A Song of Ice and Fire. Tower of the Hand. |
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2015 Conference Publication The meaning of mealtime in A Song of Ice and FireHubber, Duncan (2015). The meaning of mealtime in A Song of Ice and Fire. Federation University Australia – Annual Philosophy Symposium, Ballarat, VIC, Australia, 8 December 2015. |
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2014 Journal Article Gazing into the abyss: the uncanny attraction of horror cinemaHubber, Duncan (2014). Gazing into the abyss: the uncanny attraction of horror cinema. Degenerate Magazine, 1 (2). |
