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Dr Fred Fialho Teixeira is an architect, media artist and senior lecturer at University of Queensland, School of Architecture, Design and Planning. He has been working in the fields of computational architecture and immersive environments for the last 20 years. He has been awarded the Dean's Fellowship from the University of California and Media Arts and Technology Fellowship where he initiated is PhD on innovative biological-based design strategies at the California Nano Systems Institute. Additionally he co-established and developed an international research program on the studies of Perception of Space in Architecture and Culture and the UQ Visualisation Lab with a focus on the used of immersive technologies and extended realities (VR/AR/XR). With over 50 publications on design methods and research in digital design and fabrication, his research focuses on bio-augmented spaces through the experiential traits of immersive media and spatial computing strategies. He's an alumni of the Architectural Association, School of Architecture (AA) and accredited architect by Royal Institute of British Architects (RIBA) and Portuguese Chamber of Architects (OA) and also practiced for high profile offices such as Zaha Hadid Architects. Through his innovative strategies he designed over 30 projects from which he was internationally awarded within biology, art and architectural domains. Presently his research work on spatial computation combines the use of mixed reality and advanced manufacturing to enable the next generation of built environments.

Memberships

Architectural Association, School of Architecture (UK),Royal Institute of British Architects (UK), Chamber of Architects (PT), Australian Smart Communities Association (AU).

Associate Professor Eve Klein’s compositions have been called vivid, revolutionary, inclusive, moving and must-see. Winner of the 2023 Art Music Award for Experimental Practice, Klein brings orchestral music into dialogue with immersive and interactive technologies for screen, art music and mass festival audiences. Klein's work has been experienced by hundreds of thousands of people globally at Salisbury Cathedral, Burning Man, New York University, VIVID Sydney, MONA, GOMA, Brisbane Festival, World Science Festival, the Arts Centre Melbourne and the State Library of Queensland. As Lead Composer for Textile Audio, Eve crafts City Symphony, an interactive AR music experience overlaying Brisbane CBD (available via iOS and Android app stores).

Klein creates artworks in collaboration with community groups, festivals, researchers, and NGOs to achieve community transformation goals. Recent projects have explored gendered and racial violence, climate change, disaster recovery and refugee rights. Klein's work, Vocal Womb, is an example of this practice, allowing the audience to explore the relationship between voice, identity and power by stepping into and directly manipulating the voice of another. The premier was called the "#1 coolest thing at MOFO 2018" (Timeout Melbourne) and "One of the must-see music/artworks of the 2018 festival... a deeply considered engagement with the history and traditions of opera" (The Conversation).

Klein is Associate Professor of Music Technology, leading an interactive music and spatial audio research cluster at the University of Queensland, guiding postgraduate composers on the creation of immersive, interacitve, virtual reality and augmented reality concert works and operas.

"This is contemporary music at its most relevant – it is simultaneously inward and outward focused in addressing the challenge of its existence and its capacity to produce something great.” - Melonie Bayl-Smith, Cyclic Defrost, Issue 31

“Excellence in Experimental Practice was awarded to Eve Klein for City Symphony, a Brisbane sound walk revolutionising audiences' engagement with urban environments, underpinned by an ethos of collaborative inclusivity and accessibility.” -Australian Music Centre

“One of the must-see music/art works of the 2018 festival was Eve Klein’s Vocal Womb … a deeply considered engagement with the history and traditions of opera.” - Svenja J. Kratz -The Conversation