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2026 Other Outputs Creative Brain Week: art and human flourishing in an age of AICole, Emma, Trott, Abbie, Brimblecombe-Fox, Kathryn and Wilson-Barnao, Caroline (2026). Creative Brain Week: art and human flourishing in an age of AI. Queensland Gallery of Modern Art. |
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2026 Journal Article Experiential spectatorship: immersion, participation, and play during times of deep mediatization : by William W. Lewis, Oxon: Routledge, 2025, 267 pp., £108.00 (hardback), £34.39 (ebook), ISBN: 978-1-032-50289-2Trott, Abbie Victoria (2026). Experiential spectatorship: immersion, participation, and play during times of deep mediatization : by William W. Lewis, Oxon: Routledge, 2025, 267 pp., £108.00 (hardback), £34.39 (ebook), ISBN: 978-1-032-50289-2. International Journal of Performance Arts and Digital Media, 22 (1), 196-197. doi: 10.1080/14794713.2026.2656507 |
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2026 Journal Article Centring the audience: attitudes and behaviours in Australian arts organisationsJohanson, Katya, Trott, Abbie, Taylor, Mark, Kershaw, Anne, Glow, Hilary and Margieson, Tracy (2026). Centring the audience: attitudes and behaviours in Australian arts organisations. International Journal of Cultural Policy, 32 (3), 393-412. doi: 10.1080/10286632.2025.2458571 |
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2025 Journal Article 10th year of action research seminar for doctoral studentsOgawa, Akihiro, Mikami, Akina and Trott, Abbie Victoria (2025). 10th year of action research seminar for doctoral students. Action Learning and Action Research Journal, 31 (1) 1, 9-27. |
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2025 Journal Article “Listen in the cracks:” a conversation with Professor, and action researcher, Marie BrennanMikami, Akina and Trott, Abbie (2025). “Listen in the cracks:” a conversation with Professor, and action researcher, Marie Brennan. Action Learning and Action Research Journal, 31 (1), 156-179. |
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2025 Conference Publication Pigeon Fool’s Turing test: the relationship between the audience, the live AI bot, and the recorded human performerTrott, Abbie Victoria (2025). Pigeon Fool’s Turing test: the relationship between the audience, the live AI bot, and the recorded human performer. International Federation of Theatre Research, Cologne, Germany, 9 - 13 May 2025. |
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2025 Conference Publication “@Aunty_Irene: colonisation, cultural responsibility, and an AI Bot in Eat Slay ZombieTrott, Abbie Victoria (2025). “@Aunty_Irene: colonisation, cultural responsibility, and an AI Bot in Eat Slay Zombie. Australasian Association of Theatre Drama and Performance Studies, Wellington, New Zealand, 1-5 December 2025. |
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2024 Journal Article Review of Deserted devices and wasted fences: everyday technologies in extreme circumstances, by Dani PloegerTrott, Abbie (2024). Review of Deserted devices and wasted fences: everyday technologies in extreme circumstances, by Dani Ploeger. International Journal of Performance Arts and Digital Media, 20 (2), 1-2. doi: 10.1080/14794713.2024.2391202 |
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2024 Conference Publication Intermediality and community circus: Vulcana Circus and disrupting tragedyTrott, Abbie Victoria (2024). Intermediality and community circus: Vulcana Circus and disrupting tragedy. International Federation of Theatre Research, Manila, Philipines, 15 - 19 July 2024. |
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2024 Other Outputs Changing organisations to diversify arts audiences: summary of findings from community of practiceKershaw, Anne, Glow, Hilary, Johanson, Katya, Trott, Abbie, Margieson, Tracy and Enoch, Wesley (2024). Changing organisations to diversify arts audiences: summary of findings from community of practice. Melbourne, VIC, Australia: Deakin Univeristy. |
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2024 Conference Publication Pigeon fool: hybrid assemblages and the relationship between the live AI bot and the recorded human performerTrott, Abbie Victoria (2024). Pigeon fool: hybrid assemblages and the relationship between the live AI bot and the recorded human performer. Artificial Visionaries: Exploring the Intersections of Machine Vision, Computation, and our Aural and Visual Cultures Symposium, Brisbane, QLD, Australia, 27 - 28 November 2024. |
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2023 Journal Article “I don’t know why I cried, but I did.” Diversity and the dramaturgy of impact in Australian theatre for young peopleRae, Paul and Trott, Abbie Victoria (2023). “I don’t know why I cried, but I did.” Diversity and the dramaturgy of impact in Australian theatre for young people. Critical Stages, 28, 1-17. |
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2023 Journal Article Review of Mediatized dramaturgy: the evolution of plays in the media age : by Seda Ilter, London: Methuen Drama, ISBN: 978-1-3500-3115-9 978-0-7456-8131-3Trott, Abbie (2023). Review of Mediatized dramaturgy: the evolution of plays in the media age : by Seda Ilter, London: Methuen Drama, ISBN: 978-1-3500-3115-9 978-0-7456-8131-3. International Journal of Performance Arts and Digital Media, 19 (1), 139-140. doi: 10.1080/14794713.2023.2170626 |
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2023 Conference Publication An argument for a living archive: audience diversity and the relationship between data collection and programmingJohanson, Katya and Trott, Abbie Victoria (2023). An argument for a living archive: audience diversity and the relationship between data collection and programming. Australasian Association for Theatre, Drama & Performance Studies (ADSA), Adelaide, SA, Australia, 27 November - 1 December 2023. |
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2023 Other Outputs Changing organisations to diversify arts audiences: summary or findings from national surveyGlow, Hilary, Kershaw, Anne, Johanson, Katya, Trott, Abbie, Margieson, Tracy, Taylor, Mark and Enoch, Wesley (2023). Changing organisations to diversify arts audiences: summary or findings from national survey. Melbourne, VIC, Australia: Deakin Univeristy. |
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2022 Journal Article Conclusion: Walking beside co-researchers and finding off ramps in PhD dissertation journeysChow, Ai Ming, Hyatt, Ed, Mikami, Akina, Ross, Asha and Trott, Abbie (2022). Conclusion: Walking beside co-researchers and finding off ramps in PhD dissertation journeys. Action Learning and Action Research Journal, 28 (1), 153-181. |
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2022 Journal Article ‘She might find out the truth:’ Action researching with young theatre audiencesTrott, Abbie Victoria (2022). ‘She might find out the truth:’ Action researching with young theatre audiences. Action Learning, Action Research Journal, 28 (1), 72-98. |
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2022 Other Outputs A ‘standard’ topic?: theatre, young people and the everyday postdigitalTrott, Abbie Victoria (2022). A ‘standard’ topic?: theatre, young people and the everyday postdigital. PhD Thesis, School of Culture and Communication, University of Melbourne. |
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2022 Conference Publication Being with: audiences and artists co-generating knowledgeTrott, Abbie (2022). Being with: audiences and artists co-generating knowledge. Australasian Association of Theatre, Drama and Performance Studies, Auckland, New Zealand, 6-9 December 2022. |
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2022 Conference Publication ‘Being with:’ Multimedia Images as Collaborative Agents with Human PerformersTrott, Abbie (2022). ‘Being with:’ Multimedia Images as Collaborative Agents with Human Performers. American Society for Theatre Research, Online, 2022. |