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2012 Conference Publication 'The most modern methods of propaganda’: Robert Dalley-Scarlett and the Halle Handel Medal(1940)Owens, Samantha (2012). 'The most modern methods of propaganda’: Robert Dalley-Scarlett and the Halle Handel Medal(1940). Conference of the New Zealand Musicological Society, Auckland, New Zealand, 30 November - 2 December 2012. |
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2012 Conference Publication 'A work of the first importance’ – J. S. Bach’s St Matthew Passion in Brisbane, 1874–1950Owens, Samantha (2012). 'A work of the first importance’ – J. S. Bach’s St Matthew Passion in Brisbane, 1874–1950. 'Bach in Australia' Symposium, Melbourne, Australia, 15 September 2012. |
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2011 Conference Publication ‘Er kan zum Muster dienen’: issues of performance practice in the music of J. S. KusserOwens, Samantha (2011). ‘Er kan zum Muster dienen’: issues of performance practice in the music of J. S. Kusser. Johann Sigismund Kusser: Ein europäischer Musiker am Stuttgarter Hof, 26. Internationale Händel-Akademie, Karlsruhe, Germany, 27 February 2011. |
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2011 Conference Publication Text, Rhythm, Gesture: Emotional Meaning and Communication in Sacred and Theatrical European Music, 1600–1750 – German MusicOwens, Samantha (2011). Text, Rhythm, Gesture: Emotional Meaning and Communication in Sacred and Theatrical European Music, 1600–1750 – German Music. ARC Centre for Excellence for the History of Emotions Collaboratory, Musicological Society of Australia Conference, University of Western Austalia, Perth, 30 November - 3 December 2011. |
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2010 Conference Publication Johann Sigismund Cousser’s ‘Collection of Fine Musick’: Evidence of a Pan-European Repertory in London and Dublin, 1704–1727Owens, Samantha (2010). Johann Sigismund Cousser’s ‘Collection of Fine Musick’: Evidence of a Pan-European Repertory in London and Dublin, 1704–1727. 14th Biennial International Conference on Baroque Music, Queen's University Belfast, Northern Ireland, 30 June - 4 July 2010. |
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2009 Conference Publication International Musicological Conference in the framework of the 10th International Fasch Festival: Music at the Zerbst Residence - Zerbst, April 10-12, 2008 Internationale Wissenschaftliche Konferenz im rahmen der 10. Internationalen Fasch-Festtage: Musik an der Zerbster Residenz - Zerbst 10-12 April 2008Owens, Samantha and Clark, Brian (2009). International Musicological Conference in the framework of the 10th International Fasch Festival: Music at the Zerbst Residence - Zerbst, April 10-12, 2008 Internationale Wissenschaftliche Konferenz im rahmen der 10. Internationalen Fasch-Festtage: Musik an der Zerbster Residenz - Zerbst 10-12 April 2008. doi: 10.1017/S1478570609001882 |
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2009 Conference Publication Handel and Johann Sigismund Cousser: ‘European’ in Early Eighteenth-Century BritainOwens, Samantha (2009). Handel and Johann Sigismund Cousser: ‘European’ in Early Eighteenth-Century Britain. Händel – Der Europäer, Händel-Haus, Halle (Saale), Germany, 7 - 10 June 2009. |
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2009 Conference Publication Johann Sigismund Cousser (Kusser) and the Dissemination of Musical Style, 1680–1727Owens, Samantha (2009). Johann Sigismund Cousser (Kusser) and the Dissemination of Musical Style, 1680–1727. 2009 Network Meeting of the Alexander von Humboldt-Stiftung, Carl von Ossietzky Universität Oldenburg, Germany, 8 - 9 October 2009. |
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2008 Conference Publication ‘The Newly Introduced and Generally More Favoured French Method’: The Transmission of French Musical Style at the Württemberg Court, 1665–1715Owens, Samantha (2008). ‘The Newly Introduced and Generally More Favoured French Method’: The Transmission of French Musical Style at the Württemberg Court, 1665–1715. 13th Biennial International Conference on Baroque Music, University of Leeds, United Kingdom, 2 - 6 July 2008. |
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2008 Conference Publication ‘zum Fürstl: Hoff Staat gehörige Musicalien’: The ownership and dissemination of German court music, 1665-c. 1750Owens, Samantha (2008). ‘zum Fürstl: Hoff Staat gehörige Musicalien’: The ownership and dissemination of German court music, 1665-c. 1750. Wissenschaftliche Konferenz zu den 10. Internationalen Fasch-Festtagen, Anhalt-Zerbst, Germany, 10-12 April 2008. Beeskow, Germany: Ortus-Musikverl. |
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2008 Conference Publication ‘Not Always the Same Menuetts’: Dance at the Württemberg Court, 1662–1711Owens, Samantha (2008). ‘Not Always the Same Menuetts’: Dance at the Württemberg Court, 1662–1711. Intriguing places: Dancing in Royal Palaces 1600-1800, Tenth Annual Oxford Dance Symposium, New College, University of Oxford, United Kingdom, 3 May 2008. |
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2007 Conference Publication "A science too refined for bleak Ireland": Philip Percival, J. S. Cousser and music-making beyond Dublin Castel, 1707-27Owens, Samantha (2007). "A science too refined for bleak Ireland": Philip Percival, J. S. Cousser and music-making beyond Dublin Castel, 1707-27. Islands 2007: Combined conference of the Australian and New Zealand Musicological Societies, South Bank, QLD, Australia, 22-25 November, 2007. |
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2006 Conference Publication ‘A better market crier than librettist’: J. S. Cousser, F. C. Bressand, and Italian opera at the Braunschweig-Wolfenbüttel court in the early 1690sOwens, Samantha (2006). ‘A better market crier than librettist’: J. S. Cousser, F. C. Bressand, and Italian opera at the Braunschweig-Wolfenbüttel court in the early 1690s. Twelfth Biennial International Conference on Baroque Music, University of Warsaw, Poland, 26-30 July 2006. |
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2006 Conference Publication 'Employ Your Muse on Kings Alive': a newly discovered serenata for William III in HamburgOwens, Samantha (2006). 'Employ Your Muse on Kings Alive': a newly discovered serenata for William III in Hamburg. 15th New Zealand Musicological Society Conference 2006, Victoria University of Wellington, Wellington, NZ, November, 2006. |
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2006 Conference Publication Roundtable: The changing artistic priorities of German Hofkapellen, 1715-1760: a comparative panelOwens, Samantha (2006). Roundtable: The changing artistic priorities of German Hofkapellen, 1715-1760: a comparative panel. Twelfth Biennial International Conference on Baroque Music, University of Warsaw, Poland, 26-30 July 2006. |
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2005 Conference Publication On the concept of the "Kleine Cammer-Music" in early eighteenth-century German court musicOwens, Samantha (2005). On the concept of the "Kleine Cammer-Music" in early eighteenth-century German court music. Wissenschaftliche Konferenz zu den 9. Internationalen Fasch-Festtagen, Anhalt-Zerbst, Germany, 8-9 April, 2005. Beeskow, Germany: Ortus. |
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2004 Conference Publication Censorship of the gout moderne in 1730s Ludwigsburg and the Music of Giuseppe Antonio BrescianelloOwens, Samantha (2004). Censorship of the gout moderne in 1730s Ludwigsburg and the Music of Giuseppe Antonio Brescianello. Eleventh Biennial International Conference on Baroque Music, Manchester, United Kingdom, 14-18 July, 2004. |
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2004 Conference Publication 'Eine gelinde Music von ferne gehoeret' (Serene Music Heard from a Distance): The Place of Musicians in German Courtly Ballets and Singballette, 1650–1700Owens, Samantha (2004). 'Eine gelinde Music von ferne gehoeret' (Serene Music Heard from a Distance): The Place of Musicians in German Courtly Ballets and Singballette, 1650–1700. 13th New Zealand Musicological Society Conference 2004, University of Otago, Dunedin, New Zealand, November 2004. |
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2003 Conference Publication The provenance of the J. F. Fasch concertos in Crown Prince Friedrich Ludwig of Wuerttemberg's music collection: contextual remarks on the "Sammlung Ziegesar"Owens, Samantha (2003). The provenance of the J. F. Fasch concertos in Crown Prince Friedrich Ludwig of Wuerttemberg's music collection: contextual remarks on the "Sammlung Ziegesar". Wissenschaftliche Konferenz zu den 8. Internationalen Fasch-Festtagen, Anhalt-Zerbst, Germany, 4-5 April, 2003. Dessau, Germany: Anhalt Edition. |
