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Tim Mehigan is Professor of German in the School of Languages and Cultures at the University of Queensland.

He is a Fellow of the Australian Academy of Humanities (elected 2003) and former President of the German Studies Association of Australia (2003-2007). He was Humboldt Fellow at the University of Munich for two years in 1994 and 1995. In 2013 he was awarded the Research Prize of the Alexander von Humboldt Foundation in Germany. In 2017 he was awarded the Fulbright Senior Scholarship.

From 2013 to 2022 Tim has held a guest appointment as Humboldt Prize Winner at the University of Bonn, Germany. In 2017-2018 he was Fulbright Research Fellow in the Committee on Social Thought at the University of Chicago, USA. Previous appointments include Honorary Professor in the School of Languages and Cultures at the University of Queensland in 2011-2012.

Tim’s work is focused on two key periods in German and European literary and intellectual history: on the one hand, the literature and philosophy of the time of Goethe and Kant, which is to say, the late 18th and early 19th century; on the other hand, the literature and philosophy of Austrian modernism in the first three decades of the 20th century.

Beyond such a focus, Tim is vitally interested in the connections that flow between literature and philosophy and has explored these in relation to writers such as Heinrich von Kleist (1777-1811) and Robert Musil (1880-1942) and topic areas such as the deployment of space in literature.

Tim has also recently edited two collections devoted to assessing the work of J.M. Coetzee (Camden House, 2011; Camden House, 2018) and published, with B. Empson, the first English translation of K.L. Reinhold’s major work of philosophy Versuch einer neuen Theorie des menschlichen Vorstellungsvermögens (Walter de Gruyter, 2011). Most recently, with Antonino Falduto (Ferrara), he has edited The Palgrave Handbook on the Philosophy of Friedrich Schiller (Palgrave/Macmillan 2022).

Professor Moorhead works in late antique and early medieval history.

A graduate of the universities of New England and Liverpool, he is a Fellow of the Australian Academy of the Humanities and has walked the medieval pilgrim trail from Le Puy to Santiago.

Maggie Nolan is an Associate Professor in Digital Cultural Heritage in the School of Communication and Arts and the recently appointed Director of AustLit. AustLit is a comprehensive information resource and research environment for Australian literary, print, and narrative culture and it supports and promotes research into Australian story-telling.

Maggie values interdisciplinary and collaborative approaches to humanities research.

Maggie's research is in the broad field of Australian Literary Cultures. Her most recent project, "Close Relations: Irishness in Australian Literature", with Professor Ronan McDonald (UoM) and Professor Kath Bode (ANU) was awarded an ARC Discovery Grant in 2022.

Her research interests include:

• Contemporary Indigenous Literatures
• Hoaxes, Imposture and Mistaken Identity in Australian Literary Culture
• Reading, reception and the civic role of book clubs
• Digital literary studies
• Value in literary studies and the impact of ranking systems on the discipline.

Maggie is an experienced postgraduate supervisor and is available to supervise topics on Australian literary cultures. She also welcomes students and researcher who would like to work on projects linked to AustLit.

Sol's research interests include: (Critical) Discourse Analysis, Trauma and Memory Studies, Perceived Discrimination, Critical Translation Studies, Decolonial Thought.

Sol is a Senior Lecturer in the School of Languages and Cultures, University of Queensland in Australia. She teaches language, literature, and cultural studies courses. Sol’s research interests include memory and trauma studies, everyday discourses of discrimination, and Decolonial Thought. Sol has over 50 publications, including four books, one co-edited book, and five books as a translator. Her work has appeared in journals such as Social Semiotics, Critical Discourse Studies, Memory Studies, Journal of Pragmatics, Languages in Contrast, Babel, Delaware Review of Latin American Studies, and JILAR among others. Her co-authored historical Graphic Memoir Historias Clandestinas (2014) had a second edition in 2023 and is currently being made into a film. The English version of the graphic novel was published in 2023 in the U.S.

Melanie Saward is a proud Bigambul and Wakka Wakka woman. She is a lecturer of Australian Studies in the School of Communication and Arts and has recently (July 2024) been appointed as the coordinator of BlackWords. Her research looks at Indigeneity in romantic comedy fiction with a focus on diversity, intersectionality, and the Australian publishing industry.

Melanie is a writer and editor. Her debut fiction book, Burn, was published in 2023 with Affirm press and her first romantic comedy novel, Love Unleashed, was published in August 2024.

Elizabeth Stephens is an Associate Professor of Cultural Studies in the School of Communication and Arts. She was previously an Australian Research Council Future Fellow in the Institute for Advanced Studies in the Humanities (UQ, 2017-2021), Associate Dean Research at Southern Cross University (2014-2017), and an ARC Australian Research Fellow in the Centre for the History of European Discourses (UQ, 2010-2014). Her background is in gender and sexuality studies, and her current research focuses on three interconnected themes:

• popular histories and representations of science, medicine and technology
• collaborations between the arts and sciences
• the critical medical humanities

A new research project examines the history and culture of work, productivity and fatigue. Elizabeth is author of over 100 publications, including four books: Artificial Life: The Art of Automating Living Systems (University of Western Australia Press, 2025), co-authored with Oron Catts, Sarah Collins, and Ionat Zurr, A Critical Genealogy of Normality (University of Chicago Press, 2017), co-authored with Peter Cryle; Anatomy as Spectacle: Public Exhibitions of the Body from 1700 to the Present (Liverpool University Press, 2011), and Queer Writing: Homoeroticism in Jean Genet's Fiction (Palgrave 2009).

She welcomes inquiries from potential PhD students, and can offer supervision in the following areas:

• cultural studies of science, medicine and/or technology
• art/science collaboration
• medical humanities
• digital cultures
• gender and sexuality studies

Dr Akiko Uchiyama specialises in translation studies and her research interests include postcolonial translation theory, gender in translation, girls’ fiction in translation and the history of translation in Japan. She is the Convenor of the Master of Arts in Japanese Interpreting and Translation (MAJIT) program, and is accredited by the National Accreditation Authority for Translators and Interpreters as a professional translator.

Dr Walters has published on Cavendish, Shakespeare, Milton, and Renaissance women in relation to gender, science, philosophy, sexuality and political thought. She welcomes research proposals relating to these topics.

She is author of Margaret Cavendish: Gender, Science and Politics (Cambridge University Press, hardback 2014, paperback 2017) and is editor of The Blazing World and other Writings, Oxford World's Classics (Oxford University Press, 2025), which is the first edition to modernise the spelling and grammar of Cavendish’s prose fiction.

Her co-edited volume, Margaret Cavendish: An Interdisciplinary Perspective (2022), was published by Cambridge University Press and won Co-Honorable Mention for the 2022 Collaborative Project Award from the Society for the Study of Early Modern Women and Gender.She is also co-editor of the Restoration section of the Palgrave Encyclopedia of Early Modern Women’s Writing (2021-2026); the General Editors won the 2025 Digital Scholarship, New Media, & Art Award from the Society for the Study of Early Modern Women and Gender. In addition, she is co-editor of Cavendish and Milton, which is forthcoming with Oxford University Press. Currently, she is co-editing Cavendish's Philosophy of Literature, which is under contract with Routledge.

Dr Walters is the managing and founding editor of Margaret Cavendish: A Multidisciplinary Journal. Currently, she serves on the Editorial Board of ANQ: A Quarterly Journal of Short Articles, Notes and Reviews, Anthem Press, and was President of the International Margaret Cavendish Society.

Dr Walters is also Deputy Chair of the Equity, Diversity and Inclusion Committee for the Faculty of Humanities and Social Sciences (HASS) and is the Honours Thesis Coordinator for the Western Civilisation Centre.

She obtained her doctorate and masters degree from the University of Edinburgh, Scotland and her BA from the University of California Santa Cruz. Previously, she was a postdoctoral research fellow at Ghent University, Belgium. She has also held academic positions in England, America, and Scotland and was a visiting professor at Université Catholique de Lille, France. Between studies, she worked in Tokyo, Japan.

Books

Lisa Walters. Margaret Cavendish: Gender, Science and Politics (Cambridge University Press, hardback 2014, paperback 2017)

Lisa Walters and Brandie Siegfried, eds. Margaret Cavendish: An Interdisciplinary Perspective (Cambridge University Press, 2022).

Lisa Walters, ed. The Blazing World and other Writings, Oxford World's Classics (Oxford University Press, 2025)

Suzanne Trill, Natasha Simonova, and Lisa Walters, eds. "Restoration."Palgrave Encyclopedia of Early Modern Women's Writing (Palgrave 2020-2025).

Ann Coiro, Lara Dodds, and Lisa Walters, eds. Cavendish and Milton (Oxford University Press, forthcoming)

Daniel Whiting and Lisa Walters, eds. Cavendish's Philosophy of Literature (under contract with Routledge)

Kim Wilkins is a humanities researcher and acclaimed creative writer who specialises in the intersection of creativity, technology, and cultural industries. Currently Associate Dean (Research) in the Faculty of Humanities and Social Sciences at UQ, she leads innovative research into the socio-material dimensions of creative industries and the application of creative thinking to complex technological challenges.

Her research portfolio spans popular fiction studies, publishing ecosystems, and technology foresight. Recent projects include pioneering work on speculative fiction storytelling for defence innovation, community publishing in regional Australia, and the application of "story thinking" to anticipate technological impacts. She serves as a member of the Australian Research Council College of Experts.

As a creative practitioner, Wilkins has published 30+ novels in 20+ languages, including bestselling historical fiction and fantasy series. Her dual expertise as both researcher and professional writer uniquely positions her to bridge academic inquiry with industry practice, particularly in areas of creativity research, reading and book culture, the future of publishing, and transdisciplinary innovation.