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2022 Book Chapter The Place Myth of the Festival CityThomasson, Sarah (2022). The Place Myth of the Festival City. The Festival Cities of Edinburgh and Adelaide. (pp. 37-79) Cham: Springer International Publishing. doi: 10.1007/978-3-031-09094-3_2 |
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2022 Book Chapter Introduction: The Festival Cities of Edinburgh and AdelaideThomasson, Sarah (2022). Introduction: The Festival Cities of Edinburgh and Adelaide. The Festival Cities of Edinburgh and Adelaide. (pp. 1-35) Cham: Springer International Publishing. doi: 10.1007/978-3-031-09094-3_1 |
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2022 Book Chapter Entrepreneurialism on the FringeThomasson, Sarah (2022). Entrepreneurialism on the Fringe. The Festival Cities of Edinburgh and Adelaide. (pp. 123-163) Cham: Springer International Publishing. doi: 10.1007/978-3-031-09094-3_4 |
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2022 Book Chapter Conclusion: Looking Beyond the PandemicThomasson, Sarah (2022). Conclusion: Looking Beyond the Pandemic. The Festival Cities of Edinburgh and Adelaide. (pp. 203-213) Cham: Springer International Publishing. doi: 10.1007/978-3-031-09094-3_6 |
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2022 Book Chapter Culture Wars: The Festivalisation of Public SpaceThomasson, Sarah (2022). Culture Wars: The Festivalisation of Public Space. The Festival Cities of Edinburgh and Adelaide. (pp. 81-121) Cham: Springer International Publishing. doi: 10.1007/978-3-031-09094-3_3 |
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2022 Book Chapter Performing Nation: Revisionist Histories on the World StageThomasson, Sarah (2022). Performing Nation: Revisionist Histories on the World Stage. The Festival Cities of Edinburgh and Adelaide. (pp. 165-202) Cham: Springer International Publishing. doi: 10.1007/978-3-031-09094-3_5 |
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2011 Book Chapter Haunted space: Adapting Dante's Inferno for contemporary performanceThomasson, Sarah (2011). Haunted space: Adapting Dante's Inferno for contemporary performance. Pockets of change: Adaptation and cultural transition. (pp. 1-13) edited by Tricia Hopton, Adam Atkinson, Jane Stadler and Peta Mitchell. Lanham, MA, United States: Lexington Books. |
