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2025

Journal Article

Editorial 35.4

Holdsworth, Nadine, Chow, Broderick, Greer, Stephen, Thomasson, Sarah, Lease, Bryce and Tiatco, Sir Anril (2025). Editorial 35.4. Contemporary Theatre Review, 35 (4), 303-306. doi: 10.1080/10486801.2025.2627757

Editorial 35.4

2025

Journal Article

Editorial 35.1

Thomasson, Sarah, Chow, Broderick, Greer, Stephen, Holdsworth, Nadine, Lease, Bryce and Tiatco, Sir Anril (2025). Editorial 35.1. Contemporary Theatre Review, 35 (1), 1-3. doi: 10.1080/10486801.2025.2526942

Editorial 35.1

2023

Journal Article

Editorial 33.3

Delgado, Maria M., Gale, Maggie B., Lease, Bryce, Thomasson, Sarah and Tiatco, Sir Anril Pineda (2023). Editorial 33.3. Contemporary Theatre Review, 33 (3), 177-179. doi: 10.1080/10486801.2023.2270300

Editorial 33.3

2022

Journal Article

Festivals in the Pandemic

Thomasson, Sarah (2022). Festivals in the Pandemic. Contemporary Theatre Review, 32 (3-4), 227-234. doi: 10.1080/10486801.2022.2120278

Festivals in the Pandemic

2022

Journal Article

The Power of Disruption: The Future Is Creatively Vibrant at Te Ahurei Toi o Tamaki (Auckland Arts Festival)

McCullagh, Shona and Thomasson, Sarah (2022). The Power of Disruption: The Future Is Creatively Vibrant at Te Ahurei Toi o Tamaki (Auckland Arts Festival). Contemporary Theatre Review, 32 (3-4), 319-322. doi: 10.1080/10486801.2022.2118733

The Power of Disruption: The Future Is Creatively Vibrant at Te Ahurei Toi o Tamaki (Auckland Arts Festival)

2022

Journal Article

Editorial 32.2

Calder, David, Chow, Broderick, Delgado, Maria M., Gale, Maggie B., Lease, Bryce, Svich, Caridad and Thomasson, Sarah (2022). Editorial 32.2. Contemporary Theatre Review, 32 (2), 121-123. doi: 10.1080/10486801.2022.2068870

Editorial 32.2

2022

Journal Article

Editorial 32.1

Delgado, Maria M., Gale, Maggie B., Lease, Bryce, Svich, Caridad, Thomasson, Sarah and Chow, Broderick (2022). Editorial 32.1. Contemporary Theatre Review, 32 (1), 1-3. doi: 10.1080/10486801.2022.2015189

Editorial 32.1

2022

Book

The Festival Cities of Edinburgh and Adelaide

Thomasson, Sarah (2022). The Festival Cities of Edinburgh and Adelaide. Cham: Springer International Publishing. doi: 10.1007/978-3-031-09094-3

The Festival Cities of Edinburgh and Adelaide

2022

Book Chapter

Conclusion: Looking Beyond the Pandemic

Thomasson, Sarah (2022). Conclusion: Looking Beyond the Pandemic. The Festival Cities of Edinburgh and Adelaide. (pp. 203-213) Cham: Springer International Publishing. doi: 10.1007/978-3-031-09094-3_6

Conclusion: Looking Beyond the Pandemic

2022

Book Chapter

The Place Myth of the Festival City

Thomasson, Sarah (2022). The Place Myth of the Festival City. The Festival Cities of Edinburgh and Adelaide. (pp. 37-79) Cham: Springer International Publishing. doi: 10.1007/978-3-031-09094-3_2

The Place Myth of the Festival City

2022

Book Chapter

Introduction: The Festival Cities of Edinburgh and Adelaide

Thomasson, Sarah (2022). Introduction: The Festival Cities of Edinburgh and Adelaide. The Festival Cities of Edinburgh and Adelaide. (pp. 1-35) Cham: Springer International Publishing. doi: 10.1007/978-3-031-09094-3_1

Introduction: The Festival Cities of Edinburgh and Adelaide

2022

Book Chapter

Culture Wars: The Festivalisation of Public Space

Thomasson, Sarah (2022). Culture Wars: The Festivalisation of Public Space. The Festival Cities of Edinburgh and Adelaide. (pp. 81-121) Cham: Springer International Publishing. doi: 10.1007/978-3-031-09094-3_3

Culture Wars: The Festivalisation of Public Space

2022

Book Chapter

Performing Nation: Revisionist Histories on the World Stage

Thomasson, Sarah (2022). Performing Nation: Revisionist Histories on the World Stage. The Festival Cities of Edinburgh and Adelaide. (pp. 165-202) Cham: Springer International Publishing. doi: 10.1007/978-3-031-09094-3_5

Performing Nation: Revisionist Histories on the World Stage

2022

Book Chapter

Entrepreneurialism on the Fringe

Thomasson, Sarah (2022). Entrepreneurialism on the Fringe. The Festival Cities of Edinburgh and Adelaide. (pp. 123-163) Cham: Springer International Publishing. doi: 10.1007/978-3-031-09094-3_4

Entrepreneurialism on the Fringe

2021

Journal Article

Editorial 31.4

Chow, Broderick, Delgado, Maria M., Gale, Maggie B., Lease, Bryce, Thomasson, Sarah and Svich, Caridad (2021). Editorial 31.4. Contemporary Theatre Review, 31 (4), 387-389. doi: 10.1080/10486801.2021.1990471

Editorial 31.4

2021

Journal Article

Editorial 31.3

Calder, David, Chow, Broderick, Delgado, Maria M., Gale, Maggie B., Lease, Bryce, Svich, Caridad and Thomasson, Sarah (2021). Editorial 31.3. Contemporary Theatre Review, 31 (3), 263-265. doi: 10.1080/10486801.2021.1945810

Editorial 31.3

2021

Journal Article

Performing Scottishness: Enactment and National Identities

Thomasson, Sarah (2021). Performing Scottishness: Enactment and National Identities. Contemporary Theatre Review, 31 (1-2), 229-230. doi: 10.1080/10486801.2021.1866831

Performing Scottishness: Enactment and National Identities

2020

Journal Article

Editorial 30.3

Delgado, Maria, Gale, Maggie B., Lease, Bryce, Thomasson, Sarah, Wilkie, Fiona, Chow, Broderick and Svich, Caridad (2020). Editorial 30.3. Contemporary Theatre Review, 30 (3), 305-307. doi: 10.1080/10486801.2020.1763674

Editorial 30.3

2019

Journal Article

Editorial

Delgado, Maria, Gale, Maggie B., Lease, Bryce and Thomasson, Sarah (2019). Editorial. Contemporary Theatre Review, 29 (3), 235-237. doi: 10.1080/10486801.2019.1639313

Editorial

2019

Journal Article

Editorial 29.2

Chow, Broderick, Delgado, Maria M., Gale, Maggie B., Lease, Bryce, Svich, Caridad, Thomasson, Sarah and Wilkie, Fiona (2019). Editorial 29.2. Contemporary Theatre Review, 29 (2), 119-120. doi: 10.1080/10486801.2019.1618579

Editorial 29.2