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2018 Other Outputs Robert Smithson: time crystalsBarikin, Amelia and McAuliffe, Chris (2018). Robert Smithson: time crystals. Robert Smithson: time crystals. (pp. 5-36) edited by Amelia Barikin and Chris McAuliffe. Melbourne, Australia: Monash University Publishing in association with Monash University Museum of Art. |
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2017 Book Chapter Sound fossils and speaking stones: towards a mineral ontology of contemporary artBarikin, Amelia (2017). Sound fossils and speaking stones: towards a mineral ontology of contemporary art. Animism in art and performance. (pp. 253-275) edited by Christopher Braddock. Cham, Switzerland: Palgrave Macmillan. doi: 10.1007/978-3-319-66550-4_13 |
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2016 Book Chapter Mobile methods and large screensPapastergiadis, Nikos, Barikin, Amelia, Gu, Xin, McQuire, Scott and Yue, Audrey (2016). Mobile methods and large screens. Ambient screens and transnational public spaces. (pp. 131-208) edited by Nikos Papastergiadis. Hong Kong: Hong Kong University Press. |
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2016 Book Chapter Chronophobia, presence and presentness in the work of Liam O'BrienBarikin, Amelia (2016). Chronophobia, presence and presentness in the work of Liam O'Brien. New16. (pp. 54-55) edited by Annika Kristensen and Margaret Farmer. Melbourne, Australia: Australian Centre for Contemporary Art. |
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2016 Book Chapter Conclusion: ambient screensPapastergiadis, Nikos, Barikin, Amelia and McQuire, Scott (2016). Conclusion: ambient screens. Ambient screens and transnational public spaces. (pp. 211-238) edited by Nikos Papastergiadis. Hong Kong: Hong Kong University Press. |
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2016 Book Chapter Introduction: screen cultures and public spacesPapastergiadis, Nikos, Barikin, Amelia, McQuire, Scott and Yue, Audrey (2016). Introduction: screen cultures and public spaces. Ambient screens and transnational public spaces. (pp. 3-27) edited by Nikos Papastergiadis. Hong Kong: Hong Kong University Press. |
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2016 Other Outputs Psychotropicalism: A manifesto in search of a manifestationBarikin, Amelia (2016). Psychotropicalism: A manifesto in search of a manifestation. un Anthology 2004 - 2014: A decade of art and ideas. (pp. 145-150) edited by Ulanda Blair, Rosemary Forde and Phip Murray. Melbourne, Australia: un Projects. |
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2015 Other Outputs Pierre Huyghe: TarraWarra International 2015Barikin, Amelia and Lynn, Victoria (2015). Pierre Huyghe: TarraWarra International 2015. Healesville, VIC, Australia: TarraWarra Museum of Art. |
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2015 Book Chapter Ambient aesthetics: altered subjectivities in the new museumBarikin, Amelia, Papastergiadis, Nikos, Radywyl, Natalia and McQuire, Scott (2015). Ambient aesthetics: altered subjectivities in the new museum. The international handbooks of museum studies. (pp. 417-436) edited by Sharon Macdonald and Helen Rees Leahy. Chichester, West Sussex, United Kingdom: John Wiley & Sons. doi: 10.1002/9781118829059.wbihms120 |
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2015 Journal Article Ambient perspective and endless artPapastergiadis, Nikos and Barikin, Amelia (2015). Ambient perspective and endless art. Discipline, 4, 80-91. |
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2015 Book Chapter The museum in hiding: framing conflictBarikin, Amelia, Green, Charles and Brown, Lyndell (2015). The museum in hiding: framing conflict. International handbooks of museum studies. (pp. 485-510) edited by Sharon Macdonald and Helen Rees Leahy. Chichester, West Sussex, United Kingdom: John Wiley & Sons. doi: 10.1002/9781118829059.wbihms123 |
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2015 Book Chapter Quantum entanglements and the construction of time: do we need a science-fictional history of art?Barikin, Amelia (2015). Quantum entanglements and the construction of time: do we need a science-fictional history of art?. Soleil double. (pp. 17-24) edited by era-unavailable. Paris, France: Editions Dilecta. |
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2015 Other Outputs Pierre Huyghe: TarraWarra International 2015Barikin, Amelia and Lynn, Victoria (2015). Pierre Huyghe: TarraWarra International 2015. Healesville, VIC, Australia: TarraWarra Museum of Art. |
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2015 Book Chapter Ambient perspective and the citizen's moving eyesBarikin, Amelia and Papastergiadis, Nikos (2015). Ambient perspective and the citizen's moving eyes. Future publics (the rest can and should be done by the people): a critical reader in contemporary art. (pp. 90-115) edited by Maria Hlavajova and Ranjit Hoskote. Utrecht, Netherlands: BAK: base for active knowledge. |
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2014 Journal Article Round Table On the Critical ArchiveHolert, Tom, Baumann, Stefanie, Blom, Ina, Basilio, Miriam, Puric, Biljana, Hsu, Claire, Boudry, Pauline, Lorenz, Renate, Barikin, Amelia and Gomez-Moya, Cristian (2014). Round Table On the Critical Archive. Artmargins, 3 (3), 3-20. doi: 10.1162/ARTM_a_00091 |
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2014 Journal Article Translating gesture in a transnational public sphereBarikin, Amelia, Papastergiadis, Nikos, Yue, Audrey, McQuire, Scott, Gibson, Ross and Gu, Xin (2014). Translating gesture in a transnational public sphere. Journal of Intercultural Studies, 35 (4), 349-365. doi: 10.1080/07256868.2014.913014 |
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2014 Journal Article We have begun to communicate with the animals, and the stars: speaking the future in Neil Beloufa's KempinskiBarikin, Amelia (2014). We have begun to communicate with the animals, and the stars: speaking the future in Neil Beloufa's Kempinski. West Space Journal, 1 (3). |
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2014 Book Chapter Public screens and participatory public spaceBarikin, Amelia, Papastergiadis, Nikos, McQuire, Scott and Yue, Audrey (2014). Public screens and participatory public space. Art in the Asia-Pacific Intimate Publics. (pp. 161-172) edited by Larissa Hjorth, Natalie King and Mami Kataoka. New York, NY, USA: Routledge. doi: 10.4324/9781315858104 |
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2014 Book Chapter Bill Henson, untitled sequence, image no. 11Barikin, Amelia (2014). Bill Henson, untitled sequence, image no. 11. Five Centuries of Melancholia: Exhibition Catalogue. (pp. 63-63) edited by Andrea Bubenik. St. Lucia, QLD, Australia: The University of Queensland Art Museum. |
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2014 Journal Article no more stars (star wars): ra di martinoBarikin, Amelia (2014). no more stars (star wars): ra di martino. Broadsheet, 43 (1), 33-35. |
