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2014 Other Outputs Tim Silver, untitled (Bust) (Mahogany Timbermate Woodfiller)Barikin, Amelia (2014). Tim Silver, untitled (Bust) (Mahogany Timbermate Woodfiller). Five Centuries of Melancholia: Exhibition Catalogue. (pp. 93-93) edited by Andrea Bubenik. St. Lucia, QLD, Australia: The University of Queensland Art Museum. |
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2014 Journal Article Stephen Russell: "Torpor Audit"Barikin, Amelia (2014). Stephen Russell: "Torpor Audit". Eyeline, 1 (80), 95-95. |
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2014 Book Chapter Arche-fossils and future fossils: the speculative paleontology of Julian CharrièreBarikin, Amelia (2014). Arche-fossils and future fossils: the speculative paleontology of Julian Charrière. Julian Charrière: future fossil spaces. (pp. 18-29) edited by Nicole Schweizer. Milan, Italy: Mousse Publishing. |
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2014 Other Outputs Since we last spokeBarikin, Amelia (2014). Since we last spoke. Bureau 2. (pp. 89-90) edited by Vikki McInnes and Laura Castagnini. Melbourne, Australia: University of Melbourne; Margaret Lawrence Gallery, Victorian College of the Arts. |
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2014 Book Chapter Super mechanical super organical: Emily Floyd's science fictionBarikin, Amelia (2014). Super mechanical super organical: Emily Floyd's science fiction. Emily Floyd: Far Rainbow. (pp. 59-67) edited by Linda Michael. Melbourne, VIC, Australia: Heide Museum of Modern Art. |
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2014 Book Chapter Bill Henson, untitled sequence, image no. 5Barikin, Amelia (2014). Bill Henson, untitled sequence, image no. 5. Five Centuries of Melancholia: Exhibition Catalogue. (pp. 61-61) edited by Andrea Bubenik. St. Lucia, QLD, Australia: The University of Queensland Art Museum. |
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2014 Book Chapter Public screens and participatory public spaceBarikin, Amelia, Papastergiadis, Nikos, McQuire, Scott and Yue, Audrey (2014). Public screens and participatory public space. Art in the Asia-Pacific Intimate Publics. (pp. 161-172) edited by Larissa Hjorth, Natalie King and Mami Kataoka. New York, NY, USA: Routledge. doi: 10.4324/9781315858104 |
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2014 Book Chapter Bill Henson, untitled sequence, image no. 11Barikin, Amelia (2014). Bill Henson, untitled sequence, image no. 11. Five Centuries of Melancholia: Exhibition Catalogue. (pp. 63-63) edited by Andrea Bubenik. St. Lucia, QLD, Australia: The University of Queensland Art Museum. |
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2013 Journal Article Mega screens for mega citiesPapastergiadis, Nikos, McQuire, Scott, Gu, Xin, Barikin, Amelia, Gibson, Ross, Yue, Audrey, Jung, Sun, Cmielewski, Cecelia, Soh Yeong Roh and Jones, Matt (2013). Mega screens for mega cities. Theory, Culture and Society, 30 (7-8), 325-341. doi: 10.1177/0263276413503691 |
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2013 Journal Article Screen cultures and public spacesBarikin, Amelia, Papastergiadis, Nikos, McQuire, Scott and Yue, Audrey (2013). Screen cultures and public spaces. Dissect Journal, 1 (1), 66-83. |
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2013 Book Chapter Tales of the fourth dimensionBarikin, Amelia (2013). Tales of the fourth dimension. Making worlds: art and science fiction. (pp. 234-240) edited by Amelia Barikin and Helen Hughes. Melbourne, VIC, Australia: Surpllus. |
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2013 Conference Publication Making worlds in art and science fictionBarikin, Amelia (2013). Making worlds in art and science fiction. ISEA2013: The 19th International Symposium of Electronic Art. Resistance is Futile, Sydney, NSW, Australia, 7-16 June, 2013. Sydney, NSW, Australia: ISEA International. |
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2013 Other Outputs Selatangents: Snawklor (Nathan Gray and Dylan Martorell) in discussion with Amelia Barikin and Ferdiansyah ThajibGray, Nathan, Martorell, Dylan, Barikin, Amelia and Thajib, Ferdiansyah (2013). Selatangents: Snawklor (Nathan Gray and Dylan Martorell) in discussion with Amelia Barikin and Ferdiansyah Thajib. Mapping south: journeys in south-south cultural relations. (pp. 349-368) edited by Anthony Gardner. Melbourne, VIC, Australia: The South Project. |
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2013 Book Chapter Making worlds in art and science fictionBarikin, Amelia (2013). Making worlds in art and science fiction. Making worlds: art and science fiction. (pp. 7-13) edited by Amelia Barikin and Helen Hughes. Melbourne, VIC, Australia: Surpllus. |
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2013 Book Chapter Souvenirs du futur: du temps de l'artBarikin, Amelia (2013). Souvenirs du futur: du temps de l'art. Pierre Huyghe. (pp. 213-216) edited by Emma Lavigne and Pierre Huyghe. Paris, France: Centre Georges Pompidou. |
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2013 Conference Publication Large screens and the transnational public spherePapastergiadis, Nikos, McQuire, Scott, Barikin, Amelia, Cmielewski, Cecelia, Yue, Audrey, Gibson, Ross, Cmielewski, Leon, Jones, Matt and Gu, Xin (2013). Large screens and the transnational public sphere. ISEA2013: The 19th International Symposium of Electronic Art. Resistance is Futile, Sydney, NSW, Australia, 7-16 June, 2013. Sydney, NSW, Australia: ISEA International. |
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2013 Journal Article Review of TarraWarra Biennial 2012: Sonic SpheresBarikin, Amelia (2013). Review of TarraWarra Biennial 2012: Sonic Spheres. Art and Australia, 50 (3), 472-472. |
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2012 Other Outputs Australia vs Korea: dance battle 2012Barikin, Amelia, Cmielewski, Cecilia, Gibson, Ross and Yi, Soojung (2012). Australia vs Korea: dance battle 2012. Federation Square, VIC, Australia; Art Center Nabi, Seoul, Korea; Northbridge Piazza, Perth, WA, Australia: University of Melbourne. |
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2012 Other Outputs Acoustic ecologiesBarikin, Amelia and Themelios, Nella (2012). Acoustic ecologies. Melbourne, VIC. Australia: Arts Centre Melbourne. |
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2012 Other Outputs Parallel collisions: 2012 Adelaide Biennial of Australian Art curators Alexie Glass-Kantor and Natasha BullockBarikin, Amelia (2012). Parallel collisions: 2012 Adelaide Biennial of Australian Art curators Alexie Glass-Kantor and Natasha Bullock. Contemporary Visual Art+Culture Broadsheet, 41 (1), 34-39. |
