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2012

Journal Article

Ontology, Intentionality, and Television Aesthetics.

Nannicelli, Ted (2012). Ontology, Intentionality, and Television Aesthetics.. Screen, 53 (2), 164-179. doi: 10.1093/screen/hjs004

Ontology, Intentionality, and Television Aesthetics.

2011

Journal Article

Instructions and Artworks: Musical Scores, Theatrical Scripts, Architectural Plans, and Screenplays.

Nannicelli, Ted (2011). Instructions and Artworks: Musical Scores, Theatrical Scripts, Architectural Plans, and Screenplays.. British Journal of Aesthetics, 51 (4), 399-414. doi: 10.1093/aesthj/ayr029

Instructions and Artworks: Musical Scores, Theatrical Scripts, Architectural Plans, and Screenplays.

2011

Journal Article

Why Can't Screenplays Be Artworks?

Nannicelli, Ted (2011). Why Can't Screenplays Be Artworks?. Journal of Aesthetics and Art Criticism, 69 (4), 405-414. doi: 10.1111/j.1540-6245.2011.01484.x

Why Can't Screenplays Be Artworks?

2010

Journal Article

The Early Screenwriting Practice of Ernest Lehman

Nannicelli, Ted (2010). The Early Screenwriting Practice of Ernest Lehman. Journal of Screenwriting, 1 (2), 399-414. doi: 10.1386/josc.1.2.237/1

The Early Screenwriting Practice of Ernest Lehman

2009

Book Chapter

It's all connected: televisual narrative complexity

Nannicelli, Ted (2009). It's all connected: televisual narrative complexity. The Wire: urban decay and American television. (pp. 190-202) edited by Tiffany Potter and C. W. Marshall. London, United Kingdom: Continuum.

It's all connected: televisual narrative complexity

2007

Journal Article

Luis Bunuel's Land Without Bread: the critics and the contexts

Nannicelli, Ted (2007). Luis Bunuel's Land Without Bread: the critics and the contexts. Studies in Documentary Film, 1 (2), 137-150. doi: 10.1386/sdf.1.2.137_1

Luis Bunuel's Land Without Bread: the critics and the contexts

2006

Journal Article

From representation to evocation: tracing a progression in Jean Rouch's Les magiciens de Wanzerbe, Les maitres fous, and Jaguar

Nannicelli, Ted (2006). From representation to evocation: tracing a progression in Jean Rouch's Les magiciens de Wanzerbe, Les maitres fous, and Jaguar. Visual Anthropology, 19 (2), 123-143. doi: 10.1080/08949460600596558

From representation to evocation: tracing a progression in Jean Rouch's Les magiciens de Wanzerbe, Les maitres fous, and Jaguar