|
2020 Book Chapter When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverseHainge, Greg (2020). When is a door not a door? Transmedia to the nth degree in David Lynch’s multiverse. Transmedia directors: artistry, industry and new audiovisual aesthetics. (pp. 271-284) edited by Carol Vernallis, Holly Rogers and Lisa Perrott. New York, United States: Bloomsbury Academic. doi: 10.5040/9781501339295.0028 |
|
2018 Journal Article Blanchot and the resonant spaces of literature, sound, art and thoughtHainge, Greg (2018). Blanchot and the resonant spaces of literature, sound, art and thought. Angelaki, 23 (3), 94-111. doi: 10.1080/0969725x.2018.1473931 |
|
2017 Book Philippe Grandrieux: sonic cinemaHainge, Greg (2017). Philippe Grandrieux: sonic cinema. London: Bloomsbury Academic. |
|
2015 Other Outputs Neither here nor there: Lynch dissolvesHainge, Greg (2015). Neither here nor there: Lynch dissolves. David Lynch: between two worlds. (pp. 31-44) Brisbane, Australia: Queensland Art Gallery/Gallery of Modern Art. |
|
2014 Journal Article Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-byHainge, Greg (2014). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 51 (2-3), 234-249. doi: 10.3828/AJFS.2014.19 |
|
2013 Book Noise matters: Towards an ontology of noiseHainge, Greg (2013). Noise matters: Towards an ontology of noise. New York, United States: Bloomsbury Academic. |
|
2023 Book Chapter DistortionHainge, Greg (2023). Distortion. Sound affects: a user’s guide. (pp. 186-198) edited by Sharon Jane Mee and Luke Robinson. New York, NY, United States: Bloomsbury Publishing. |
|
2021 Journal Article Rapt in (destructive) plasticity: Demonlover and the annihilation of cinematic formHainge, Greg (2021). Rapt in (destructive) plasticity: Demonlover and the annihilation of cinematic form. French Screen Studies, 23 (1), 1-15. doi: 10.1080/26438941.2021.1935561 |
|
2021 Journal Article “Un film français et fier de l’être”: Gaspar Noé’s Climax in ContextHainge, Greg (2021). “Un film français et fier de l’être”: Gaspar Noé’s Climax in Context. Australian Journal of French Studies, 58 (1), 100-116. doi: 10.3828/ajfs.2021.09 |
|
2021 Other Outputs Painting with numbers: the fine art of digital chronophotographyHainge, Greg (2021). Painting with numbers: the fine art of digital chronophotography. Sleep has her house . (pp. 31-42) edited by Scott Barley. London, United Kingdom: Scott Barley. |
|
2021 Book Chapter Sound is silenceHainge, Greg (2021). Sound is silence. The Oxford handbook of sound art. (pp. 255-271) edited by Jane Grant, John Matthias and David Prior. Oxford, United Kingdom: Oxford University Press. doi: 10.1093/oxfordhb/9780190274054.013.20 |
|
2020 Journal Article Immediacy, causality, plasticity: Catherine Malabou and the future undoing of philosophyHainge, Greg and Iveson, Richard (2020). Immediacy, causality, plasticity: Catherine Malabou and the future undoing of philosophy. Culture, Theory and Critique, 61 (1), 1-3. doi: 10.1080/14735784.2020.1815359 |
|
2020 Other Outputs Anti Social Media Social MusicHainge, Greg (2020). Anti Social Media Social Music. Audiosphere. (pp. 129-137) edited by Francisco López. Madrid, Spain: Museo Nacional Centro de Arte Reina Sofia. |
|
2020 Journal Article Delirium, Disruption and Death: On Stéphane Vanderhaeghe’s Charøgnards (Quidam éditeur, 2015)Hainge, Greg (2020). Delirium, Disruption and Death: On Stéphane Vanderhaeghe’s Charøgnards (Quidam éditeur, 2015). Electronic Book Review doi: 10.7273/vvqz-8173 |
|
2020 Book Chapter The uncanny hinterland of things: on Chambers’s An atmospherics of the city and speculative realismHainge, Greg (2020). The uncanny hinterland of things: on Chambers’s An atmospherics of the city and speculative realism. Still loitering: Australian essays in honour of Ross Chambers. (pp. 83-97) edited by Valentina Gosetti and Alistair Rolls. Oxford, United Kingdom: Peter Lang. |
|
2017 Journal Article Review of Tim Palmer, Irreversible. New York: Palgrave, 2015Hainge, Greg (2017). Review of Tim Palmer, Irreversible. New York: Palgrave, 2015. H-France Review, 17 (100), 1-3. |
|
2016 Journal Article Adapted voices: transpositions of Céline’s ‘Voyage au bout de la nuit’ and Queneau’s ‘Zazie dans le métro’. By Armelle Blin-Rolland.Hainge, Greg (2016). Adapted voices: transpositions of Céline’s ‘Voyage au bout de la nuit’ and Queneau’s ‘Zazie dans le métro’. By Armelle Blin-Rolland.. French Studies, 70 (4), 617-617. doi: 10.1093/fs/knw184 |
|
2016 Journal Article Art matters: philosophy, art history and art’s material presenceHainge, Greg (2016). Art matters: philosophy, art history and art’s material presence. Culture, Theory and Critique, 57 (2), 137-141. doi: 10.1080/14735784.2016.1161903 |
|
2016 Edited Outputs Culture, Theory and CritiqueCulture, Theory and Critique. (2016). 57 (2) |
|
2016 Book Chapter Material music: speculations on non-human agency in musicHainge, Greg (2016). Material music: speculations on non-human agency in music. Music's immanent future: the Deleuzian turn in music studies. (pp. 207-217) edited by Sally Macarthur, Judy Lochhead and Jennifer Shaw. Abingdon, Oxon, United Kingdom: Routledge. doi: 10.4324/9781315597027-23 |
