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2011 Edited Outputs Culture, Theory and Critique: Special Issue: The God Who Would Not Die: Theological Remnants and Traces of a Hidden God in Twentieth Century French ThoughtCulture, Theory and Critique: Special Issue: The God Who Would Not Die: Theological Remnants and Traces of a Hidden God in Twentieth Century French Thought. (2011). 52 (2-3) |
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2011 Journal Article Tekhne, technique, technologieHainge, Greg, De Nooy, Juliana and Hanna, Barbara E. (2011). Tekhne, technique, technologie. Australian Journal of French Studies, 48 (2), 121-128. doi: 10.3828/AJFS.48.2.121 |
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2011 Edited Outputs Culture, Theory and CritiqueCulture, Theory and Critique. (2011). 52 (2-3) |
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2010 Edited Outputs Culture, Theory and Critique: Special Issue: The Politics of Nothing: Sovereignty and ModernityCulture, Theory and Critique: Special Issue: The Politics of Nothing: Sovereignty and Modernity. (2010). 51 (2) |
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2010 Journal Article Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historiqueHainge, Greg (2010). Une voix déplacée: La ventriloquie chez Céline ou pour en finir avec le jugement historique. Études Céliniennes, 5 (Hiver 2009-2010), 71-94. |
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2010 Book Chapter Red velvet : Lynch's cinemat(ograph)ic ontologyHainge, Greg (2010). Red velvet : Lynch's cinemat(ograph)ic ontology. David Lynch in theory. (pp. 24-39) edited by Glezon, Francois-Xavier. Prague, Czech Republic: Litteraria Pragensia Books. |
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2010 Edited Outputs Culture, Theory and CritiqueCulture, Theory and Critique. (2010). 51 (2) |
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2009 Book Chapter No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and MuzakHainge, Greg (2009). No sympathy for the devil, or, Lobby Music: Spaces of disjunction in Barton Fink, The Shining and Muzak. Moving Pictures/Stopping Places. Hotels and Motels on Film. (pp. 255-276) edited by Clarke, David B., Crawford Pfannhauser, Valerie and Doel, Marcus A.. Plymouth, UK: Lexington Books. |
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2009 Journal Article Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du cielHainge, Greg (2009). Airport music: Muzak, 'Non-lieux' and film sound in Stéphanik's Stand-by and Lioret's Tombés du ciel. Studies in French Cinema, 9 (3), 201-214. doi: 10.1386/sfc.9.3.201/1 |
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2008 Edited Outputs Culture, Theory and CritiqueCulture, Theory and Critique. (2008). 49 (1) |
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2008 Edited Outputs Culture, Theory and Critique: Special Issue: The Histor(icit)y of TheoryCulture, Theory and Critique: Special Issue: The Histor(icit)y of Theory. (2008). 49 (1) |
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2008 Book Chapter L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopiasHainge, Greg (2008). L'Invention du Troisième Peuple: The utopian vision of Philippe Grandrieux's dystopias. Nowhere is perfect: French and Francophone utopias/dystopias. (pp. 228-239) edited by John West-Sooby. Newark, DE, United States: University of Delaware Press. |
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2008 Journal Article The unbearable blandness of Being: The everyday and Muzak in Barton Fink and FargoHainge, G. (2008). The unbearable blandness of Being: The everyday and Muzak in Barton Fink and Fargo. Post Script: Essays in Film and the Humanities, 27 (2), 38-47. |
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2008 Journal Article Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-byHainge, G. (2008). Three non-places of supermodernity in the history of French cinema: 1967, 1985, 2000. Playtime, Subway and Stand-by. Australian Journal of French Studies, 45 (3), 197-211. doi: 10.3828/AJFS.45.3.197 |
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2008 Journal Article A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon AmourHainge, Greg (2008). A tale of (at least) two Hiroshimas: Nobuhiro Suwa's H Story and Alain Resnais's Hiroshima Mon Amour. Contemporary French Civilization, 32 (2), 147-174. doi: 10.3828/cfc.2008.8 |
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2008 Journal Article Unfixing the photographic image: Photography, indexicality, fidelity and normativityHainge, G. (2008). Unfixing the photographic image: Photography, indexicality, fidelity and normativity. Continuum: Journal of Media & Cultural Studies, 22 (5), 715-730. doi: 10.1080/10304310802311659 |
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2007 Journal Article Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproductionHainge, Greg (2007). Vinyl is dead, long live vinyl: the work of recording and mourning in the age of digital reproduction. Culture Machine, 9, 1-23. |
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2007 Journal Article Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinemaHainge, Greg (2007). Le corps concret: Of bodily and filmic material excess in Philippe Grandrieux's cinema. Australian Journal of French Studies, 44 (2), 153-171. doi: 10.3828/AJFS.44.2.153 |
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2007 Journal Article Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realmHainge, Greg (2007). Of glitch and men: The place of the human in the successful integration of failure and noise in the digital realm. Communication Theory, 17 (1), 26-42. doi: 10.1111/j.1468-2885.2007.00286.x |
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2007 Journal Article The architect’s scalpel: The monstrous digital futures of Alexa Wright’s PreciousHainge, G. (2007). The architect’s scalpel: The monstrous digital futures of Alexa Wright’s Precious. Social Semiotics, 17 (3), 327-340. doi: 10.1080/10350330701448652 |
