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2024 Conference Publication Lessons by Correspondence: Nathalie Dolmetsch, Mona Castle and the Viola da Gamba in 1940s New ZealandOwens, Samantha (2024). Lessons by Correspondence: Nathalie Dolmetsch, Mona Castle and the Viola da Gamba in 1940s New Zealand. The Spirit of Gambo: The State of Viol Research, Berkeley, CA United States, 15-17 March 2024. |
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2023 Journal Article Helen J. English. Music and World-Building in the Colonial City: Newcastle, NSW, and its Townships, 1860–1880 (review)Owens, Samantha (2023). Helen J. English. Music and World-Building in the Colonial City: Newcastle, NSW, and its Townships, 1860–1880 (review). Context (48), 109-112. doi: 10.46580/cx89103 |
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2020 Book Chapter 'Seven young men on Hautboys': the oboe band in England, c. 1680–1740Owens, Samantha (2020). 'Seven young men on Hautboys': the oboe band in England, c. 1680–1740. Musical exchange between Britain and Europe, 1500–1800: essays in honour of Peter Holman. (pp. 257-268) edited by John Cunnginham and Bryan White. Woodbridge, Suffolk: Boydell Press. |
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2020 Book Johann Sigismund Kusser, Serenatas for DublinSamantha Owens ed. (2020). Johann Sigismund Kusser, Serenatas for Dublin. Recent Researches in the Music of the Baroque Era, Middleton, WI, United States: A-R Editions. |
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2019 Journal Article Fourth-class wine from Bietigheim? Employment conditions for Lutenist Maria Dorothea St. Pierre and Waldhornist Franz Anton Spurni at the Württemberg Court, c.1719–1736Owens, Samantha (2019). Fourth-class wine from Bietigheim? Employment conditions for Lutenist Maria Dorothea St. Pierre and Waldhornist Franz Anton Spurni at the Württemberg Court, c.1719–1736. Musicology Australia, 41 (2), 76-90. doi: 10.1080/08145857.2019.1696163 |
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2019 Journal Article Pictorial depictions of musicians, musical instruments and music-making in the Stammbücher of Paul Jenisch and Johann Michael WeckherlinOwens, Samantha (2019). Pictorial depictions of musicians, musical instruments and music-making in the Stammbücher of Paul Jenisch and Johann Michael Weckherlin. De Musica Disserenda, 15 (1–2), 159-177. doi: 10.3986/dmd15.1-2.08 |
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2019 Conference Publication "Eine schöne Stimm”: Kapellknaben at German Lutheran Courts, 1680–1730Owens, Samantha (2019). "Eine schöne Stimm”: Kapellknaben at German Lutheran Courts, 1680–1730. International Fasch Festival, Zerbst, Germany, 12–13 April 2019. Beeskow, Germany: Ortus Verlag. |
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2018 Journal Article The Music Collection of Johann (Ján) Kusser (1626–1695): A Hungarian Émigré in Seventeenth-Century StuttgartOwens, Samantha (2018). The Music Collection of Johann (Ján) Kusser (1626–1695): A Hungarian Émigré in Seventeenth-Century Stuttgart. Musicologica Brunensia, 53 (2), 61-85. doi: 10.5817/MB2018-2-4 |
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2018 Book Chapter IntroductionCollins, Denis, Murphy, Kerry and Owens, Samantha (2018). Introduction. J.S. Bach in Australia: studies in Reception and performance. (pp. 1-7) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, Australia: Lyrebird Press. |
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2018 Book Chapter Appendix 1Collins, Denis, Murphy, Kerry and Owens, Samantha (2018). Appendix 1. J.S. Bach in Australia: studies in Reception and performance. (pp. 218-221) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, Australia: Lyrebird Press. |
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2018 Book Chapter "A gothic cathedral in music": the performance and reception of Bach's Mass in B minor in 1920s AustraliaOwens, Samantha (2018). "A gothic cathedral in music": the performance and reception of Bach's Mass in B minor in 1920s Australia. J.S. Bach in Australia: studies in reception and performance. (pp. 101-116) edited by Denis Collins, Kerry Murphy and Samantha Owens. Melbourne, VIC, Australia: Lyrebird Press. |
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2017 Journal Article ‘The above mentioned aliens’: Rudolf Mersy’s German band in New Zealand, 1913–19Owens, Samantha (2017). ‘The above mentioned aliens’: Rudolf Mersy’s German band in New Zealand, 1913–19. Musicology Australia, 39 (1), 1-14. doi: 10.1080/08145857.2017.1332971 |
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2017 Journal Article ‘Unmistakeable Sauerkrauts’: local perceptions of itinerant German musicians in New Zealand, 1850–1920Owens, Samantha (2017). ‘Unmistakeable Sauerkrauts’: local perceptions of itinerant German musicians in New Zealand, 1850–1920. Nineteenth-Century Music Review, 15 (01), 1-13. doi: 10.1017/S1479409817000076 |
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2017 Book Chapter London, Leipzig or Local? – German Musical Influence and the Establishment of a New Zealand Conservatorium of Music, 1906–8Owens, Samantha (2017). London, Leipzig or Local? – German Musical Influence and the Establishment of a New Zealand Conservatorium of Music, 1906–8. Searches for tradition: Essays on New Zealand music, past and present. (pp. 46-58) edited by Michael Brown and Samantha Owens. Wellington, New Zealand: Victoria University Press. |
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2017 Book Chapter ‘Er kan zum Muster dienen’: Kapellmeister Johann Sigismund Kusser and the performance materials for the opera AdonisOwens, Samantha (2017). ‘Er kan zum Muster dienen’: Kapellmeister Johann Sigismund Kusser and the performance materials for the opera Adonis. Transformationen und Metamorphosen. Bericht über die Symposien der Internationalen Händel-Akademie Karlsruhe 2011 bis 2013. (pp. 53-69) edited by Thomas Seedorf and Christian Schaper.. Laaber, Germany: Laaber-Verlag. |
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2017 Book Searches for tradition: Essays on New Zealand music, past and presentSamantha Owens and Michael Brown eds. (2017). Searches for tradition: Essays on New Zealand music, past and present. Wellington, New Zealand: Victoria University Press. |
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2017 Book The well-travelled musician: John Sigismond Cousser and musical exchange in Baroque EuropeOwens, Samantha (2017). The well-travelled musician: John Sigismond Cousser and musical exchange in Baroque Europe. Woodbridge, Suffolk, United Kingdom: Boydell Press. |
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2017 Book Chapter Theatre and stageOwens, Samantha (2017). Theatre and stage. Early modern emotions: an introduction. (pp. 228-230) edited by Susan Broomhall. London, United Kingdom: Routledge. doi: 10.4324/9781315441368 |
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2017 Book Chapter ‘Schott aus Hamburg mit seinen Leuthen’: Connections between the public opera houses in Braunschweig and Hamburg, 1690–1738Owens, Samantha (2017). ‘Schott aus Hamburg mit seinen Leuthen’: Connections between the public opera houses in Braunschweig and Hamburg, 1690–1738. Telemann und die urbanen milieus der aufklärung. (pp. 41-52) Munich, Germany: + Kritik. |
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2016 Journal Article Music via correspondence: a list of the music collection of Dresden Kreuzorganist Emanuel BenischOwens, Samantha (2016). Music via correspondence: a list of the music collection of Dresden Kreuzorganist Emanuel Benisch. Understanding Bach, 11, 39-56. |
