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2016 Conference Publication J. S. Cousser and the Irish State Musick at Dublin CastleOwens, Samantha (2016). J. S. Cousser and the Irish State Musick at Dublin Castle. Pre-concert talk (45 minutes), Wigmore Hall, London, 24 April 2016. |
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2016 Conference Publication The “Hunting Song” in eighteenth-century england: a copy of James Hook’s "Ye sluggards who murder your lifetime in sleep" from the Zerbster musikstubOwens, Samantha (2016). The “Hunting Song” in eighteenth-century england: a copy of James Hook’s "Ye sluggards who murder your lifetime in sleep" from the Zerbster musikstub. International Scientific Conference during the 13th International Fasch Festival, Zerbst, Anhalt, Germany, 17-18 April 2015. Beeskow, Germany: Ortus Musikverlag. |
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2016 Conference Publication ‘Here No Rank is to be Observed’: The Role(s) of Dancing Masters and Dancing Nobility in German Courtly Ballets, 1650–170Owens, Samantha (2016). ‘Here No Rank is to be Observed’: The Role(s) of Dancing Masters and Dancing Nobility in German Courtly Ballets, 1650–170. 18th Annual Oxford Dance Symposium, New College Oxford, 19-20 April 2016. |
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2015 Book Chapter Dalley-Scarlett, RobertMcCredie, Andrew D. and Owens, Samantha (2015). Dalley-Scarlett, Robert. Grove Music Online. (pp. x-xx) New York, NY United States: Oxford University Press. |
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2015 Conference Publication The ‘Hunting Song’ in Eighteenth-Century England: A Copy of James Hook’s Ye Sluggards Who Murder Your Lifetime in Sleep from the Zerbster Musikstube (B 9)Owens, Samantha (2015). The ‘Hunting Song’ in Eighteenth-Century England: A Copy of James Hook’s Ye Sluggards Who Murder Your Lifetime in Sleep from the Zerbster Musikstube (B 9). Wissenschaftliche Konferenz zu den 13. Internationalen Fasch-Festtagen, Zerbst, Germany, 15-19 April 2015. |
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2015 Conference Publication ‘The Above Mentioned Aliens’: The Internment of Rudolf Mersy’s German Band on Wellington’s Somes Island, 1914–1918Owens, Samantha (2015). ‘The Above Mentioned Aliens’: The Internment of Rudolf Mersy’s German Band on Wellington’s Somes Island, 1914–1918. Musical Dialogues, 38th National Conference of the Musicological Society of Australia, Sydney, NSW, Australia, 1-4 October 2015. |
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2015 Book Chapter Tunley, DavidMcCredie, Andrew D. and Owens, Samantha (2015). Tunley, David. Grove Music Online. (pp. x-xx) New York, NY United States: Oxford Univerisity Press. |
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2015 Conference Publication Music via Correspondence: A List of the Music Collection of Kreuzorganist Emanuel BenischOwens, Samantha (2015). Music via Correspondence: A List of the Music Collection of Kreuzorganist Emanuel Benisch. 7th Bach Network UK Dialogue Meeting, Madingley Hall, University of Cambridge, United Kingdom, 8–10 July 2015. |
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2015 Book Music at German Courts: 1715-1760Samantha Owens, Barbara M. Reul and Janice B. Stockigt eds. (2015). Music at German Courts: 1715-1760. Woodbridge, Suffolk, United Kingdom: Boydell Press. |
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2015 Book Chapter 'Serious Music': the Brisbane reception of Grainger's historical chamber music recitals (1934)Owens, Samantha (2015). 'Serious Music': the Brisbane reception of Grainger's historical chamber music recitals (1934). Grainger the Modernist. (pp. 181-199) edited by Suzanne Robinson and Kay Dreyfus. Farnham, Surrey, United Kingdom: Ashgate. |
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2015 Conference Publication "Miss Buckland in Dresden": the role of German-trained musicians in New Zealand, 1850–1914Owens, Samantha (2015). "Miss Buckland in Dresden": the role of German-trained musicians in New Zealand, 1850–1914. Searches for Tradition: Annual Meeting of the New Zealand Musicological Society, Wellington, New Zealand, 31 October–1 November 2015. |
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2015 Conference Publication Duplex Genius: The French and Italian Musical Styles in the Instrumental Works of Johann Christoph Pez (1664–1716)Owens, Samantha (2015). Duplex Genius: The French and Italian Musical Styles in the Instrumental Works of Johann Christoph Pez (1664–1716). Music in Transition: Changing Styles and Approaches in the Mid-Baroque (1650–1710), Birmingham Conservatoire, Birmingham City University, United Kingdom, 2-3 July 2015. |
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2014 Journal Article "Won't sing in German": responses to German music in war-time New ZealandOwens, Samantha (2014). "Won't sing in German": responses to German music in war-time New Zealand. Crescendo, 1 (95), 16-21. |
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2014 Other Outputs Agostino Steffani (1654-1728)Owens, Samantha (2014). Agostino Steffani (1654-1728). Radio New Zealand: Radio New Zealand. |
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2014 Other Outputs Classical musiciansOwens, Samantha and Wilkinson, Shelley (2014). Classical musicians. Radio New Zealand: Radio New Zealand. |
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2014 Other Outputs The jolly German bandOwens, Samantha and Wilkinson, Shelley (2014). The jolly German band. Radio New Zealand: Radio New Zealand. |
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2014 Journal Article 'The Greatest Choral Work that has ever been written': Wellington performances of J. S. Bach's St Matthew Passion, 1899–1941Owens, Samantha (2014). 'The Greatest Choral Work that has ever been written': Wellington performances of J. S. Bach's St Matthew Passion, 1899–1941. Understanding Bach, 9, 75-86. |
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2014 Book Chapter An historical perspective on creative collaboration: the composition of theatrical dance music at the early modern German CourtOwens, Samantha (2014). An historical perspective on creative collaboration: the composition of theatrical dance music at the early modern German Court. Collaborative creative thought and practice in music. (pp. 143-155) edited by Margaret S. Barrett. Burlington, VT, United States: Ashgate. doi: 10.4324/9781315572635-19 |
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2014 Conference Publication "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920sOwens, Samantha (2014). "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920s. Melbourne Bach Forum, Melbourne, Australia, 25-27 July 2014. |
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2014 Conference Publication "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730Owens, Samantha (2014). "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730. The Voice and Histories of Emotion, 1500-1800. Performance Collaboratory, University of Sydney, Camperdown Campus, NSW, 29 September-1 October 2014. |
