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2008 Conference Publication ‘The Newly Introduced and Generally More Favoured French Method’: The Transmission of French Musical Style at the Württemberg Court, 1665–1715Owens, Samantha (2008). ‘The Newly Introduced and Generally More Favoured French Method’: The Transmission of French Musical Style at the Württemberg Court, 1665–1715. 13th Biennial International Conference on Baroque Music, University of Leeds, United Kingdom, 2 - 6 July 2008. |
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2008 Conference Publication ‘Not Always the Same Menuetts’: Dance at the Württemberg Court, 1662–1711Owens, Samantha (2008). ‘Not Always the Same Menuetts’: Dance at the Württemberg Court, 1662–1711. Intriguing places: Dancing in Royal Palaces 1600-1800, Tenth Annual Oxford Dance Symposium, New College, University of Oxford, United Kingdom, 3 May 2008. |
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2007 Other Outputs Antonio Vivaldi as an Opera ComposerOwens, Samantha (2007). Antonio Vivaldi as an Opera Composer. Radio New Zealand. |
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2007 Other Outputs Giovanni Battista Pergolesi (1710–1736)Owens, Samantha (2007). Giovanni Battista Pergolesi (1710–1736). Radio New Zealand. |
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2007 Conference Publication "A science too refined for bleak Ireland": Philip Percival, J. S. Cousser and music-making beyond Dublin Castel, 1707-27Owens, Samantha (2007). "A science too refined for bleak Ireland": Philip Percival, J. S. Cousser and music-making beyond Dublin Castel, 1707-27. Islands 2007: Combined conference of the Australian and New Zealand Musicological Societies, South Bank, QLD, Australia, 22-25 November, 2007. |
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2007 Book Chapter "....nicht so leicht in einer Protestantischen Hoff Cappell einen Catholischen Cappell Meister..." Notes on the early career of Giuseppe Antonio Brescianello (c. 1690-1758)Owens, Samantha K. (2007). "....nicht so leicht in einer Protestantischen Hoff Cappell einen Catholischen Cappell Meister..." Notes on the early career of Giuseppe Antonio Brescianello (c. 1690-1758). Musik in Baden-Württemberg Jahrbuch. (pp. 199-214) edited by Gabriele Busch-Salmen, Walter Salmen and Markus Zepf. Munich: Strube Verlag. |
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2007 Book Chapter On the concept of the "Kleine Cammer-Music" in early eighteenth-century German court musicOwens, Samantha K. (2007). On the concept of the "Kleine Cammer-Music" in early eighteenth-century German court music. Johann Friedrich Fasch als Instrumentalkomponist. (pp. 95-108) edited by Konstanze Musketa. Beeskow, Germany: Ortus Verlag. |
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2006 Other Outputs Handel at Hamburg's Goosemarket TheatreOwens, Samantha (2006). Handel at Hamburg's Goosemarket Theatre. Wellington, NZ: Radio New Zealand. |
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2006 Book Chapter The rise and decline of opera at the Württemberg Court, 1698-1733Owens, Samantha (2006). The rise and decline of opera at the Württemberg Court, 1698-1733. Italian Opera in Central Europe. (pp. 99-114) edited by Melania Bucciarelli, Norbert Dubowy and Reinhard Strohm. Berlin: Berliner Wissenschafts-Verlag. |
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2006 Conference Publication ‘A better market crier than librettist’: J. S. Cousser, F. C. Bressand, and Italian opera at the Braunschweig-Wolfenbüttel court in the early 1690sOwens, Samantha (2006). ‘A better market crier than librettist’: J. S. Cousser, F. C. Bressand, and Italian opera at the Braunschweig-Wolfenbüttel court in the early 1690s. Twelfth Biennial International Conference on Baroque Music, University of Warsaw, Poland, 26-30 July 2006. |
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2006 Conference Publication Roundtable: The changing artistic priorities of German Hofkapellen, 1715-1760: a comparative panelOwens, Samantha (2006). Roundtable: The changing artistic priorities of German Hofkapellen, 1715-1760: a comparative panel. Twelfth Biennial International Conference on Baroque Music, University of Warsaw, Poland, 26-30 July 2006. |
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2006 Conference Publication 'Employ Your Muse on Kings Alive': a newly discovered serenata for William III in HamburgOwens, Samantha (2006). 'Employ Your Muse on Kings Alive': a newly discovered serenata for William III in Hamburg. 15th New Zealand Musicological Society Conference 2006, Victoria University of Wellington, Wellington, NZ, November, 2006. |
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2006 Journal Article The Stuttgart Adonis: A recently rediscovered opera by Johann Sigismund Cousser?Owens, Samantha (2006). The Stuttgart Adonis: A recently rediscovered opera by Johann Sigismund Cousser?. Musical Times, 147 (1896), 67-80. doi: 10.2307/25434405 |
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2005 Journal Article Censorship of the goût moderne in 1730s Ludwigsburg and the music of Giuseppe Antonio BrescianelloOwens, Samantha (2005). Censorship of the goût moderne in 1730s Ludwigsburg and the music of Giuseppe Antonio Brescianello. Eighteenth Century Music, 2 (2), 299-310. doi: 10.1017/S1478570605000394 |
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2005 Other Outputs Heinrich SchutzOwens, Samantha (2005). Heinrich Schutz. Wellington, NZ: Radio New Zealand. |
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2005 Conference Publication On the concept of the "Kleine Cammer-Music" in early eighteenth-century German court musicOwens, Samantha (2005). On the concept of the "Kleine Cammer-Music" in early eighteenth-century German court music. Wissenschaftliche Konferenz zu den 9. Internationalen Fasch-Festtagen, Anhalt-Zerbst, Germany, 8-9 April, 2005. Beeskow, Germany: Ortus. |
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2005 Book Chapter Upgrading from consort to orchestra at the Württemberg courtOwens, Samantha (2005). Upgrading from consort to orchestra at the Württemberg court. From Renaissance to Baroque : Change in instruments and instrumental music in the seventeenth century : Proceedings of the National Early Music Association Conference held, in association with the Department of Music, University of York and the York Early Music Festival, at the University College of Ripon and York St. John, York, 2-4 July 1999. (pp. 227-240) edited by Peter Holman and Jonathan Wainright. Aldershot, England: Ashgate. |
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2004 Other Outputs Music at the Dresden CourtOwens, Samantha (2004). Music at the Dresden Court. Wellington, NZ: Radio New Zealand. |
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2004 Conference Publication Censorship of the gout moderne in 1730s Ludwigsburg and the Music of Giuseppe Antonio BrescianelloOwens, Samantha (2004). Censorship of the gout moderne in 1730s Ludwigsburg and the Music of Giuseppe Antonio Brescianello. Eleventh Biennial International Conference on Baroque Music, Manchester, United Kingdom, 14-18 July, 2004. |
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2004 Conference Publication 'Eine gelinde Music von ferne gehoeret' (Serene Music Heard from a Distance): The Place of Musicians in German Courtly Ballets and Singballette, 1650–1700Owens, Samantha (2004). 'Eine gelinde Music von ferne gehoeret' (Serene Music Heard from a Distance): The Place of Musicians in German Courtly Ballets and Singballette, 1650–1700. 13th New Zealand Musicological Society Conference 2004, University of Otago, Dunedin, New Zealand, November 2004. |
