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2014 Book Chapter An historical perspective on creative collaboration: the composition of theatrical dance music at the early modern German CourtOwens, Samantha (2014). An historical perspective on creative collaboration: the composition of theatrical dance music at the early modern German Court. Collaborative creative thought and practice in music. (pp. 143-155) edited by Margaret S. Barrett. Burlington, VT, United States: Ashgate. doi: 10.4324/9781315572635-19 |
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2014 Conference Publication "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920sOwens, Samantha (2014). "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920s. Melbourne Bach Forum, Melbourne, Australia, 25-27 July 2014. |
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2014 Conference Publication "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730Owens, Samantha (2014). "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730. The Voice and Histories of Emotion, 1500-1800. Performance Collaboratory, University of Sydney, Camperdown Campus, NSW, 29 September-1 October 2014. |
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2013 Other Outputs Johann Friedrich Fasch (1688–1758)Owens, Samantha (2013). Johann Friedrich Fasch (1688–1758). Wellington, NZ: Radio New Zealand. |
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2013 Journal Article Theodor Schwartzkopff and French music at the Court of Wuerttemberg-Stuttgart in the 1680sOwens, Samantha (2013). Theodor Schwartzkopff and French music at the Court of Wuerttemberg-Stuttgart in the 1680s. Musik in Baden-Wuerttemberg, 20, 31-43. |
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2013 Conference Publication 'A clock of Mr Sale's worck': a musician at home in early eighteenth-century DublinOwens, Samantha (2013). 'A clock of Mr Sale's worck': a musician at home in early eighteenth-century Dublin. ANZAMEMS 2013: Australian and New Zealand Association of Medieval and Early Modern Studies Ninth Biennial Conference, Melbourne, VIC, Australia, 12-16 February, 2013. Clayton, VIC, Australia: Monash University. |
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2013 Book Chapter Haydn's Creation 'Shamelessly Mangled' in Melbourne: Joseph Summers and a musical libel action against the Age (1893)Owens, Samantha and Stockigt, Janice B. (2013). Haydn's Creation 'Shamelessly Mangled' in Melbourne: Joseph Summers and a musical libel action against the Age (1893). A Musicological Gift: Libro Homenaje for Jane Morlet Hardie. (pp. 255-282) edited by Kathleen Nelson and Mariacarmen Gómez. Lions Bay, BC, Canada: Institute of Mediaeval Music. |
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2013 Conference Publication "Bach the Sublime": Australasian reception of the St Matthew Passion (BWV 244), 1875–1950. Brisbane and WellingtonOwens, Samantha (2013). "Bach the Sublime": Australasian reception of the St Matthew Passion (BWV 244), 1875–1950. Brisbane and Wellington. The Sixth J. S. Bach Dialogue Meeting: Bach Looking East, Warsaw, Poland, 3-7 July, 2013. |
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2013 Conference Publication 'Mr Viner's Divisions on Corelli's Solos': the dissemination of Italian music in early eighteenth-century DublinOwens, Samantha (2013). 'Mr Viner's Divisions on Corelli's Solos': the dissemination of Italian music in early eighteenth-century Dublin. Global Corelli: Fame and Music in the Early Modern World, Canberra, ACT, Australia, 4-5 November, 2013. Canberra, ACT, Australia: Australian National University. |
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2012 Journal Article Robert Dalley-Scarlett (1887-1959) and Handel Reception in Australia between the World WarsOwens, Samantha (2012). Robert Dalley-Scarlett (1887-1959) and Handel Reception in Australia between the World Wars. Musicology Australia, 34 (2), 165-183. doi: 10.1080/08145857.2012.734963 |
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2012 Other Outputs Music at the court of Frederick the GreatOwens, Samantha (2012). Music at the court of Frederick the Great. Wellington, Aotearoa, NZ: Radio New Zealand. |
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2012 Other Outputs The Sonsfeld collection: baroque music for HautboistenLes Hautboistes de Prusse, Corall, Georg and Owens, Samantha (2012). The Sonsfeld collection: baroque music for Hautboisten. Perth, WA, Australia: The University of Western Australia. |
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2012 Conference Publication 'The most modern methods of propaganda’: Robert Dalley-Scarlett and the Halle Handel Medal(1940)Owens, Samantha (2012). 'The most modern methods of propaganda’: Robert Dalley-Scarlett and the Halle Handel Medal(1940). Conference of the New Zealand Musicological Society, Auckland, New Zealand, 30 November - 2 December 2012. |
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2012 Book Chapter Early modern German perspectives on 'moving the affections'Owens, Samantha (2012). Early modern German perspectives on 'moving the affections'. Grief and joy: emotions in the music of the 18th century. (pp. 23-25) edited by Rebekah Prince. Crawley, W.A., Australia: The University of Western Australia, ARC Centre of Excellence for the History of Emotions. |
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2012 Conference Publication 'A work of the first importance’ – J. S. Bach’s St Matthew Passion in Brisbane, 1874–1950Owens, Samantha (2012). 'A work of the first importance’ – J. S. Bach’s St Matthew Passion in Brisbane, 1874–1950. 'Bach in Australia' Symposium, Melbourne, Australia, 15 September 2012. |
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2012 Conference Publication ‘The Most Elaborate and Difficult of All Choral Works’: Wellington Performances of J. S. Bach’s St Matthew Passion, 1899–1945Owens, Samantha (2012). ‘The Most Elaborate and Difficult of All Choral Works’: Wellington Performances of J. S. Bach’s St Matthew Passion, 1899–1945. Past Tensions: Reflections on Making History, 2011 New Zealand Historical Association Conference, University of Waikato, Hamilton, New Zealand, 16-18 November 2011. |
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2012 Conference Publication Passports, packet-boats, and parcels: Johann Sigismund Cousser as a collector and disseminator of music in early eighteenth-century EuropeOwens, Samantha (2012). Passports, packet-boats, and parcels: Johann Sigismund Cousser as a collector and disseminator of music in early eighteenth-century Europe. Fifteenth Biennial International Conference on Baroque Music, Southampton, United Kingdom, 11-15 July 2012. |
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2011 Conference Publication Text, Rhythm, Gesture: Emotional Meaning and Communication in Sacred and Theatrical European Music, 1600–1750 – German MusicOwens, Samantha (2011). Text, Rhythm, Gesture: Emotional Meaning and Communication in Sacred and Theatrical European Music, 1600–1750 – German Music. ARC Centre for Excellence for the History of Emotions Collaboratory, Musicological Society of Australia Conference, University of Western Austalia, Perth, 30 November - 3 December 2011. |
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2011 Book Chapter The court of Wurttemberg-StuttgartOwens, Samantha (2011). The court of Wurttemberg-Stuttgart. Music at German Courts, 1715–1760: Changing Artistic Priorities. (pp. 165-196) edited by Samantha Owens, Barbara M. Reul and Janice B. Stockigt. Woodbridge, U.K.: The Boydell Press. |
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2011 Conference Publication ‘Er kan zum Muster dienen’: issues of performance practice in the music of J. S. KusserOwens, Samantha (2011). ‘Er kan zum Muster dienen’: issues of performance practice in the music of J. S. Kusser. Johann Sigismund Kusser: Ein europäischer Musiker am Stuttgarter Hof, 26. Internationale Händel-Akademie, Karlsruhe, Germany, 27 February 2011. |
