|
2014 Conference Publication "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920sOwens, Samantha (2014). "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920s. Melbourne Bach Forum, Melbourne, Australia, 25-27 July 2014. |
|
2014 Conference Publication "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730Owens, Samantha (2014). "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730. The Voice and Histories of Emotion, 1500-1800. Performance Collaboratory, University of Sydney, Camperdown Campus, NSW, 29 September-1 October 2014. |
|
2014 Conference Publication "Won't Sing in German": responses to German music in war-time New ZealandOwens, Samantha (2014). "Won't Sing in German": responses to German music in war-time New Zealand. Recovering Forbidden Voices 2014: Responding to the Suppression of Music in World War Two, Wellington, NZ, 22-25 August, 2014. |
|
2014 Book Chapter 'Just as Great as Noverre’: the ballet composer Florian Johann Deller (1729–73) and music at the Wuerttemberg CourtOwens, Samantha (2014). 'Just as Great as Noverre’: the ballet composer Florian Johann Deller (1729–73) and music at the Wuerttemberg Court. The Works of Monsieur Noverre translated from the French: Noverre, his Circle and the English 'Lettres sur la Danse'. (pp. 21-36) edited by Michael Burden and Jennifer Thorpe. Hillsdale, NY, United States: Pendragon Press. |
|
2014 Conference Publication "The Incomparable Director": J.S. Cousser at Hamburg's Hamburg's Gänsemarkt Theatre, 1694–96Owens, Samantha (2014). "The Incomparable Director": J.S. Cousser at Hamburg's Hamburg's Gänsemarkt Theatre, 1694–96. 16th Biennial International Conference on Baroque Music, Salzburg, Austria, 9-13 July, 2014. |
|
2013 Other Outputs Johann Friedrich Fasch (1688–1758)Owens, Samantha (2013). Johann Friedrich Fasch (1688–1758). Wellington, NZ: Radio New Zealand. |
|
2013 Conference Publication "Bach the Sublime": Australasian reception of the St Matthew Passion (BWV 244), 1875–1950. Brisbane and WellingtonOwens, Samantha (2013). "Bach the Sublime": Australasian reception of the St Matthew Passion (BWV 244), 1875–1950. Brisbane and Wellington. The Sixth J. S. Bach Dialogue Meeting: Bach Looking East, Warsaw, Poland, 3-7 July, 2013. |
|
2013 Conference Publication 'Mr Viner's Divisions on Corelli's Solos': the dissemination of Italian music in early eighteenth-century DublinOwens, Samantha (2013). 'Mr Viner's Divisions on Corelli's Solos': the dissemination of Italian music in early eighteenth-century Dublin. Global Corelli: Fame and Music in the Early Modern World, Canberra, ACT, Australia, 4-5 November, 2013. Canberra, ACT, Australia: Australian National University. |
|
2013 Journal Article Theodor Schwartzkopff and French music at the Court of Wuerttemberg-Stuttgart in the 1680sOwens, Samantha (2013). Theodor Schwartzkopff and French music at the Court of Wuerttemberg-Stuttgart in the 1680s. Musik in Baden-Wuerttemberg, 20, 31-43. |
|
2013 Conference Publication 'A clock of Mr Sale's worck': a musician at home in early eighteenth-century DublinOwens, Samantha (2013). 'A clock of Mr Sale's worck': a musician at home in early eighteenth-century Dublin. ANZAMEMS 2013: Australian and New Zealand Association of Medieval and Early Modern Studies Ninth Biennial Conference, Melbourne, VIC, Australia, 12-16 February, 2013. Clayton, VIC, Australia: Monash University. |
|
2013 Book Chapter Haydn's Creation 'Shamelessly Mangled' in Melbourne: Joseph Summers and a musical libel action against the Age (1893)Owens, Samantha and Stockigt, Janice B. (2013). Haydn's Creation 'Shamelessly Mangled' in Melbourne: Joseph Summers and a musical libel action against the Age (1893). A Musicological Gift: Libro Homenaje for Jane Morlet Hardie. (pp. 255-282) edited by Kathleen Nelson and Mariacarmen Gómez. Lions Bay, BC, Canada: Institute of Mediaeval Music. |
|
2012 Journal Article Robert Dalley-Scarlett (1887-1959) and Handel Reception in Australia between the World WarsOwens, Samantha (2012). Robert Dalley-Scarlett (1887-1959) and Handel Reception in Australia between the World Wars. Musicology Australia, 34 (2), 165-183. doi: 10.1080/08145857.2012.734963 |
|
2012 Other Outputs Music at the court of Frederick the GreatOwens, Samantha (2012). Music at the court of Frederick the Great. Wellington, Aotearoa, NZ: Radio New Zealand. |
|
2012 Other Outputs The Sonsfeld collection: baroque music for HautboistenLes Hautboistes de Prusse, Corall, Georg and Owens, Samantha (2012). The Sonsfeld collection: baroque music for Hautboisten. Perth, WA, Australia: The University of Western Australia. |
|
2012 Conference Publication ‘The Most Elaborate and Difficult of All Choral Works’: Wellington Performances of J. S. Bach’s St Matthew Passion, 1899–1945Owens, Samantha (2012). ‘The Most Elaborate and Difficult of All Choral Works’: Wellington Performances of J. S. Bach’s St Matthew Passion, 1899–1945. Past Tensions: Reflections on Making History, 2011 New Zealand Historical Association Conference, University of Waikato, Hamilton, New Zealand, 16-18 November 2011. |
|
2012 Conference Publication Passports, packet-boats, and parcels: Johann Sigismund Cousser as a collector and disseminator of music in early eighteenth-century EuropeOwens, Samantha (2012). Passports, packet-boats, and parcels: Johann Sigismund Cousser as a collector and disseminator of music in early eighteenth-century Europe. Fifteenth Biennial International Conference on Baroque Music, Southampton, United Kingdom, 11-15 July 2012. |
|
2012 Conference Publication 'The most modern methods of propaganda’: Robert Dalley-Scarlett and the Halle Handel Medal(1940)Owens, Samantha (2012). 'The most modern methods of propaganda’: Robert Dalley-Scarlett and the Halle Handel Medal(1940). Conference of the New Zealand Musicological Society, Auckland, New Zealand, 30 November - 2 December 2012. |
|
2012 Book Chapter Early modern German perspectives on 'moving the affections'Owens, Samantha (2012). Early modern German perspectives on 'moving the affections'. Grief and joy: emotions in the music of the 18th century. (pp. 23-25) edited by Rebekah Prince. Crawley, W.A., Australia: The University of Western Australia, ARC Centre of Excellence for the History of Emotions. |
|
2012 Conference Publication 'A work of the first importance’ – J. S. Bach’s St Matthew Passion in Brisbane, 1874–1950Owens, Samantha (2012). 'A work of the first importance’ – J. S. Bach’s St Matthew Passion in Brisbane, 1874–1950. 'Bach in Australia' Symposium, Melbourne, Australia, 15 September 2012. |
|
2011 Book Chapter 'Das gantze Corpus derer musicirenden Personen': An Introduction to German 'Hofkapellen'Owens, Samantha and Reul, Barbara M. (2011). 'Das gantze Corpus derer musicirenden Personen': An Introduction to German 'Hofkapellen'. Music at German Courts, 1715–1760: Changing Artistic Priorities. (pp. 1-14) edited by Samantha Owens, Barbara M. Reul and Janice B. Stockigt. Woodbridge, U.K.: The Boydell Press. doi: 10.1515/9781846159312-007 |
