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2015 Conference Publication ‘The Above Mentioned Aliens’: The Internment of Rudolf Mersy’s German Band on Wellington’s Somes Island, 1914–1918Owens, Samantha (2015). ‘The Above Mentioned Aliens’: The Internment of Rudolf Mersy’s German Band on Wellington’s Somes Island, 1914–1918. Musical Dialogues, 38th National Conference of the Musicological Society of Australia, Sydney, NSW, Australia, 1-4 October 2015. |
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2015 Book Chapter Tunley, DavidMcCredie, Andrew D. and Owens, Samantha (2015). Tunley, David. Grove Music Online. (pp. x-xx) New York, NY United States: Oxford Univerisity Press. |
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2014 Journal Article "Won't sing in German": responses to German music in war-time New ZealandOwens, Samantha (2014). "Won't sing in German": responses to German music in war-time New Zealand. Crescendo, 1 (95), 16-21. |
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2014 Other Outputs Agostino Steffani (1654-1728)Owens, Samantha (2014). Agostino Steffani (1654-1728). Radio New Zealand: Radio New Zealand. |
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2014 Other Outputs Classical musiciansOwens, Samantha and Wilkinson, Shelley (2014). Classical musicians. Radio New Zealand: Radio New Zealand. |
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2014 Other Outputs The jolly German bandOwens, Samantha and Wilkinson, Shelley (2014). The jolly German band. Radio New Zealand: Radio New Zealand. |
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2014 Journal Article 'The Greatest Choral Work that has ever been written': Wellington performances of J. S. Bach's St Matthew Passion, 1899–1941Owens, Samantha (2014). 'The Greatest Choral Work that has ever been written': Wellington performances of J. S. Bach's St Matthew Passion, 1899–1941. Understanding Bach, 9, 75-86. |
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2014 Conference Publication "Won't Sing in German": responses to German music in war-time New ZealandOwens, Samantha (2014). "Won't Sing in German": responses to German music in war-time New Zealand. Recovering Forbidden Voices 2014: Responding to the Suppression of Music in World War Two, Wellington, NZ, 22-25 August, 2014. |
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2014 Book Chapter 'Just as Great as Noverre’: the ballet composer Florian Johann Deller (1729–73) and music at the Wuerttemberg CourtOwens, Samantha (2014). 'Just as Great as Noverre’: the ballet composer Florian Johann Deller (1729–73) and music at the Wuerttemberg Court. The Works of Monsieur Noverre translated from the French: Noverre, his Circle and the English 'Lettres sur la Danse'. (pp. 21-36) edited by Michael Burden and Jennifer Thorpe. Hillsdale, NY, United States: Pendragon Press. |
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2014 Conference Publication "The Incomparable Director": J.S. Cousser at Hamburg's Hamburg's Gänsemarkt Theatre, 1694–96Owens, Samantha (2014). "The Incomparable Director": J.S. Cousser at Hamburg's Hamburg's Gänsemarkt Theatre, 1694–96. 16th Biennial International Conference on Baroque Music, Salzburg, Austria, 9-13 July, 2014. |
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2014 Book Chapter An historical perspective on creative collaboration: the composition of theatrical dance music at the early modern German CourtOwens, Samantha (2014). An historical perspective on creative collaboration: the composition of theatrical dance music at the early modern German Court. Collaborative creative thought and practice in music. (pp. 143-155) edited by Margaret S. Barrett. Burlington, VT, United States: Ashgate. doi: 10.4324/9781315572635-19 |
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2014 Conference Publication "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920sOwens, Samantha (2014). "A gothic cathedral in music": the reception of Australian performances of Bach's B-minor Mass in the 1920s. Melbourne Bach Forum, Melbourne, Australia, 25-27 July 2014. |
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2014 Conference Publication "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730Owens, Samantha (2014). "A Hoarse and Impure Voice": Vocal Training at the Württemberg Court, 1680-1730. The Voice and Histories of Emotion, 1500-1800. Performance Collaboratory, University of Sydney, Camperdown Campus, NSW, 29 September-1 October 2014. |
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2013 Other Outputs Johann Friedrich Fasch (1688–1758)Owens, Samantha (2013). Johann Friedrich Fasch (1688–1758). Wellington, NZ: Radio New Zealand. |
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2013 Journal Article Theodor Schwartzkopff and French music at the Court of Wuerttemberg-Stuttgart in the 1680sOwens, Samantha (2013). Theodor Schwartzkopff and French music at the Court of Wuerttemberg-Stuttgart in the 1680s. Musik in Baden-Wuerttemberg, 20, 31-43. |
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2013 Conference Publication 'A clock of Mr Sale's worck': a musician at home in early eighteenth-century DublinOwens, Samantha (2013). 'A clock of Mr Sale's worck': a musician at home in early eighteenth-century Dublin. ANZAMEMS 2013: Australian and New Zealand Association of Medieval and Early Modern Studies Ninth Biennial Conference, Melbourne, VIC, Australia, 12-16 February, 2013. Clayton, VIC, Australia: Monash University. |
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2013 Book Chapter Haydn's Creation 'Shamelessly Mangled' in Melbourne: Joseph Summers and a musical libel action against the Age (1893)Owens, Samantha and Stockigt, Janice B. (2013). Haydn's Creation 'Shamelessly Mangled' in Melbourne: Joseph Summers and a musical libel action against the Age (1893). A Musicological Gift: Libro Homenaje for Jane Morlet Hardie. (pp. 255-282) edited by Kathleen Nelson and Mariacarmen Gómez. Lions Bay, BC, Canada: Institute of Mediaeval Music. |
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2013 Conference Publication "Bach the Sublime": Australasian reception of the St Matthew Passion (BWV 244), 1875–1950. Brisbane and WellingtonOwens, Samantha (2013). "Bach the Sublime": Australasian reception of the St Matthew Passion (BWV 244), 1875–1950. Brisbane and Wellington. The Sixth J. S. Bach Dialogue Meeting: Bach Looking East, Warsaw, Poland, 3-7 July, 2013. |
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2013 Conference Publication 'Mr Viner's Divisions on Corelli's Solos': the dissemination of Italian music in early eighteenth-century DublinOwens, Samantha (2013). 'Mr Viner's Divisions on Corelli's Solos': the dissemination of Italian music in early eighteenth-century Dublin. Global Corelli: Fame and Music in the Early Modern World, Canberra, ACT, Australia, 4-5 November, 2013. Canberra, ACT, Australia: Australian National University. |
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2012 Journal Article Robert Dalley-Scarlett (1887-1959) and Handel Reception in Australia between the World WarsOwens, Samantha (2012). Robert Dalley-Scarlett (1887-1959) and Handel Reception in Australia between the World Wars. Musicology Australia, 34 (2), 165-183. doi: 10.1080/08145857.2012.734963 |
