![Honorary Professor Samantha Owens](/sites/default/files/profiles/980.jpeg)
Overview
Background
Samantha’s research and postgraduate supervision centres on historical performance practices and performance cultures. Her published output comprises two main strands. First: the influence and reception of German music and musicians in Australasia, 1850–1950 (including itinerant German bands, and the music of J. S. Bach) and the history of listening cultures in Australasia during the first half of the 20th century (including the impact of the gramophone and radio broadcasting). And, second: early modern German court music (in particular the Württemberg Hofkapelle); professional women musicians in the 17th and 18th centuries; the early history of the orchestra and oboe bands (Hautboistenbande); and John Sigismond Cousser (Kusser) and the musical life of early 18th-century Dublin.
She is a Fellow of the Australian Academy of the Humanities (from 2012), and has also held visiting fellowships at the Herzog August Bibliothek in Wolfenbüttel, Germany (2004); Clare Hall, University of Cambridge (2007–2008); and, as an Alexander von Humboldt Foundation Research Fellow, at the Institut für Musik, Martin-Luther-Universität Halle-Wittenberg (2009–2010) and the Bach-Archiv in Leipzig, Germany (2018).
In 2011–2017, Samantha was an Associate and (from 2015) International Investigator with the Australian Research Council's Centre of Excellence for the History of Emotions: Europe 1100–1800. Her monograph, The Well-Travelled Musician: John Sigismond Cousser and Musical Exchange in Baroque Europe (Boydell Press, 2017), was funded by an Australian Research Council Discovery Project grant (2013– 2015). Most recently, she received funding from the Lilburn Trust for hosting a scholarly symposium on Music in Colonial New Zealand Cities (November 2022); an edited volume of the papers is currently in preparation.
From 1994 until 2023, Samantha taught papers on historical performance practice, the history of Western European music of the 17th and 18th centuries, and the history of Western art music in New Zealand, 1850–1950 (including jazz, classical and popular music). She was employed full time at the University of Queensland from 2001 until 2015 (Lecturer–Associate Professor). In 2015 she returned to New Zealand, where she held the positions of Associate Professor (2015–2018) and Professor of Musicology (2019–2024) at the New Zealand School of Music – Te Kōkī.
Samantha has been the editor of numerous scholarly books and works as a freelance indexer; her index for Music at German Courts: Changing Artistic Priorities (Boydell Press, 2011) won the 2012 medal of the Australian and New Zealand Society of Indexers.
Availability
- Honorary Professor Samantha Owens is:
- Available for supervision
- Media expert
Fields of research
Qualifications
- Bachelor of Music, Victoria University of Wellington
- Bachelor (Honours), Victoria University of Wellington
- Doctor of Philosophy, Victoria University of Wellington
- Australian Academy of the Humanities, Australian Academy of the Humanities
Research impacts
Samantha has presented the results of her research as radio talks and interviews (in both English and German), including for Radio New Zealand (National and Concert), Australian Broadcasting Corporation (ABC Radio National and Classic FM), Deutscher Rundfunk (WDR) and Südwestrundfunk (SWR), as well as giving regular pre-concert talks, including at Wigmore Hall (London), Dublin Castle, Kilkenny Castle, Staatsoper Stuttgart, Württembergische Landesbibliothek, and for Musica Viva Australia, Chamber Music New Zealand and the New Zealand Symphony Orchestra.
In 2017, together with Dr Michael Brown (Curator Music, Alexander Turnbull Library), she curated the exhibition ‘An Ornament to the Town’: The Band Rotunda in New Zealand, at the National Library of New Zealand (March–June 2017) and Aratoi: Wairarapa Museum of Art & History (September–November 2017).
Works
Search Professor Samantha Owens’s works on UQ eSpace
2011
Book Chapter
The court of Wurttemberg-Stuttgart
Owens, Samantha (2011). The court of Wurttemberg-Stuttgart. Music at German Courts, 1715–1760: Changing Artistic Priorities. (pp. 165-196) edited by Samantha Owens, Barbara M. Reul and Janice B. Stockigt. Woodbridge, U.K.: The Boydell Press.
2011
Conference Publication
‘Er kan zum Muster dienen’: issues of performance practice in the music of J. S. Kusser
Owens, Samantha (2011). ‘Er kan zum Muster dienen’: issues of performance practice in the music of J. S. Kusser. Johann Sigismund Kusser: Ein europäischer Musiker am Stuttgarter Hof, 26. Internationale Händel-Akademie, Karlsruhe, Germany, 27 February 2011.
2010
Journal Article
'Not always the same minuets': Dance at the Wuerttemberg Court, 1662-1711
Owens, Samantha (2010). 'Not always the same minuets': Dance at the Wuerttemberg Court, 1662-1711. The Court Historian, 15 (2), 133-144. doi: 10.1179/cou.2010.15.2.002
2010
Conference Publication
Johann Sigismund Cousser’s ‘Collection of Fine Musick’: Evidence of a Pan-European Repertory in London and Dublin, 1704–1727
Owens, Samantha (2010). Johann Sigismund Cousser’s ‘Collection of Fine Musick’: Evidence of a Pan-European Repertory in London and Dublin, 1704–1727. 14th Biennial International Conference on Baroque Music, Queen's University Belfast, Northern Ireland, 30 June - 4 July 2010.
2010
Journal Article
Johann Sigismund Cousser (Kusser): A 'European' in early Eighteenth-century England and Ireland
Owens, Samantha (2010). Johann Sigismund Cousser (Kusser): A 'European' in early Eighteenth-century England and Ireland. Haendel-Jahrbuch, 56, 445-467.
2009
Other Outputs
George Frideric Handel
Owens, Samantha (2009). George Frideric Handel. Radio New Zealand.
2009
Conference Publication
International Musicological Conference in the framework of the 10th International Fasch Festival: Music at the Zerbst Residence - Zerbst, April 10-12, 2008 Internationale Wissenschaftliche Konferenz im rahmen der 10. Internationalen Fasch-Festtage: Musik an der Zerbster Residenz - Zerbst 10-12 April 2008
Owens, Samantha and Clark, Brian (2009). International Musicological Conference in the framework of the 10th International Fasch Festival: Music at the Zerbst Residence - Zerbst, April 10-12, 2008 Internationale Wissenschaftliche Konferenz im rahmen der 10. Internationalen Fasch-Festtage: Musik an der Zerbster Residenz - Zerbst 10-12 April 2008. doi: 10.1017/S1478570609001882
2009
Journal Article
Johann Sigismund Cousser, William III and the Serenata in Early Eighteenth-Century Dublin
Owens, Samantha (2009). Johann Sigismund Cousser, William III and the Serenata in Early Eighteenth-Century Dublin. Eighteenth-Century Music, 6 (1), 7-39. doi: 10.1017/S1478570609001717
2009
Journal Article
Internationale Wissenschaftliche Konferenz Im Rahmen Der 10. Internationalen Fasch-festtage: Musik An Der Zerbster Residenz, Zerbst
Owens, Samantha and Clark, Brian (2009). Internationale Wissenschaftliche Konferenz Im Rahmen Der 10. Internationalen Fasch-festtage: Musik An Der Zerbster Residenz, Zerbst. Eighteenth-Century Music, 6 (1), 143-146. doi: 10.1017/S1478570609001882
2009
Conference Publication
Handel and Johann Sigismund Cousser: ‘European’ in Early Eighteenth-Century Britain
Owens, Samantha (2009). Handel and Johann Sigismund Cousser: ‘European’ in Early Eighteenth-Century Britain. Händel – Der Europäer, Händel-Haus, Halle (Saale), Germany, 7 - 10 June 2009.
2009
Book
Johann Sigismund Kusser, Adonis
Owens, Samantha (2009). Johann Sigismund Kusser, Adonis. Middleton, WI, United States: A-R Editions.
2009
Conference Publication
Johann Sigismund Cousser (Kusser) and the Dissemination of Musical Style, 1680–1727
Owens, Samantha (2009). Johann Sigismund Cousser (Kusser) and the Dissemination of Musical Style, 1680–1727. 2009 Network Meeting of the Alexander von Humboldt-Stiftung, Carl von Ossietzky Universität Oldenburg, Germany, 8 - 9 October 2009.
2008
Conference Publication
‘zum Fürstl: Hoff Staat gehörige Musicalien’: The ownership and dissemination of German court music, 1665-c. 1750
Owens, Samantha (2008). ‘zum Fürstl: Hoff Staat gehörige Musicalien’: The ownership and dissemination of German court music, 1665-c. 1750. Wissenschaftliche Konferenz zu den 10. Internationalen Fasch-Festtagen, Anhalt-Zerbst, Germany, 10-12 April 2008. Beeskow, Germany: Ortus-Musikverl.
2008
Journal Article
"eine liebliche/von vielen Violen bestehende Music" Ballet instrumentation at German Protestant courts, 1650-1700: a study of libretti in Wolfenbuettel and Stuttgart
Owens, Samantha K. (2008). "eine liebliche/von vielen Violen bestehende Music" Ballet instrumentation at German Protestant courts, 1650-1700: a study of libretti in Wolfenbuettel and Stuttgart. The Royal Musical Association Research Chronicle, 41, 25-67.
2008
Conference Publication
‘The Newly Introduced and Generally More Favoured French Method’: The Transmission of French Musical Style at the Württemberg Court, 1665–1715
Owens, Samantha (2008). ‘The Newly Introduced and Generally More Favoured French Method’: The Transmission of French Musical Style at the Württemberg Court, 1665–1715. 13th Biennial International Conference on Baroque Music, University of Leeds, United Kingdom, 2 - 6 July 2008.
2008
Conference Publication
‘Not Always the Same Menuetts’: Dance at the Württemberg Court, 1662–1711
Owens, Samantha (2008). ‘Not Always the Same Menuetts’: Dance at the Württemberg Court, 1662–1711. Intriguing places: Dancing in Royal Palaces 1600-1800, Tenth Annual Oxford Dance Symposium, New College, University of Oxford, United Kingdom, 3 May 2008.
2007
Other Outputs
Antonio Vivaldi as an Opera Composer
Owens, Samantha (2007). Antonio Vivaldi as an Opera Composer. Radio New Zealand.
2007
Other Outputs
Giovanni Battista Pergolesi (1710–1736)
Owens, Samantha (2007). Giovanni Battista Pergolesi (1710–1736). Radio New Zealand.
2007
Conference Publication
"A science too refined for bleak Ireland": Philip Percival, J. S. Cousser and music-making beyond Dublin Castel, 1707-27
Owens, Samantha (2007). "A science too refined for bleak Ireland": Philip Percival, J. S. Cousser and music-making beyond Dublin Castel, 1707-27. Islands 2007: Combined conference of the Australian and New Zealand Musicological Societies, South Bank, QLD, Australia, 22-25 November, 2007.
2007
Book Chapter
"....nicht so leicht in einer Protestantischen Hoff Cappell einen Catholischen Cappell Meister..." Notes on the early career of Giuseppe Antonio Brescianello (c. 1690-1758)
Owens, Samantha K. (2007). "....nicht so leicht in einer Protestantischen Hoff Cappell einen Catholischen Cappell Meister..." Notes on the early career of Giuseppe Antonio Brescianello (c. 1690-1758). Musik in Baden-Württemberg Jahrbuch. (pp. 199-214) edited by Gabriele Busch-Salmen, Walter Salmen and Markus Zepf. Munich: Strube Verlag.
Funding
Past funding
Supervision
Availability
- Honorary Professor Samantha Owens is:
- Available for supervision
Before you email them, read our advice on how to contact a supervisor.
Supervision history
Current supervision
-
Doctor Philosophy
Rhetoric and Symbolism in Late Elizabethan Music
Associate Advisor
Other advisors: Associate Professor Denis Collins
Completed supervision
-
2017
Doctor Philosophy
The Critical Reception of Robert Schumann's Solo Piano Music in London, 1918-45
Principal Advisor
Other advisors: Dr Simon Perry
-
2016
Master Philosophy
Music, Meaning and Signs: Eighteenth-century Topoi in Goethe and Anna Amalia's "Erwin und Elmire"
Principal Advisor
Other advisors: Dr Shaun Brown
-
2010
Master Philosophy
Performance practice issues in Albinoni's Concerti A Cinquc Op.9 No. 5
Principal Advisor
-
2009
Master Philosophy
Filling the eighteenth-century void for violists: study of Mozart's 'viola' concerto, K.622
Principal Advisor
-
2009
Master Philosophy
De la sonorité - The Bel Canto flute method of Marcel Moyse
Principal Advisor
Other advisors: Associate Professor Denis Collins
-
2009
Master Philosophy
Bach's St Matthew Passion: its birth and attempted resurrections
Principal Advisor
Other advisors: Dr Simon Perry
-
2007
Doctor Philosophy
A STUDY OF MOTIVATION THROUGH REPERTOIRE IN INTERMEDIATE CELLO STUDENTS
Principal Advisor
-
2006
Master Philosophy
BEETHOVEN AND THE VIOLONCELLO: THE INFLUENCE OF JEAN-LOUIS DUPORT (1749-1819)
Principal Advisor
-
2006
Master Philosophy
MANNHEIM AND THE CLARINET: THE PALATINE COURT'S CONTRIBUTION TO THE DEVELOPMENT OF THE CLARINET AS AN ORCHESTRAL INSTRUMENT
Principal Advisor
-
2006
Master Philosophy
FROM THE BIRDCAGE TO THE CONCERT STAGE: THE IMAGE TRANSFORMATION OF THE BOEHM FLUTE
Principal Advisor
-
2005
Master Philosophy
ISSUES OF PERFORMANCE PRACTICE IN THE VIOLIN WORKS OF JOHANNES BRAHMS (1833-1897)
Principal Advisor
-
2004
Master Music
THE DEVELOPMENT OF THE GERMAN SYSTEM CLARINET: CIRCA 1700-1900
Principal Advisor
-
2004
Master Philosophy
THE CHANGING STYLES IN THE PERFOMANCE OF RICHARD STRAUSS'S VIER LETZTE LIEDER AND SAMUEL BARBER'S HERMIT SONGS
Principal Advisor
-
2017
Doctor Philosophy
"O dolorosa gioia": Death as Paradox in the Late Madrigals of Carlo Gesualdo (1566-1613)
Associate Advisor
Other advisors: Associate Professor Denis Collins
-
2016
Master Philosophy
Approaches to Harmony in Selected Works from Gesualdo's Madrigali e Cinque Voci
Associate Advisor
Other advisors: Associate Professor Denis Collins
-
2016
Doctor Philosophy
Relationships between the Twelfth-Century Aquitanian Polyphonic Versus and Two-Part Conductus Repertories
Associate Advisor
Other advisors: Associate Professor Denis Collins
-
2016
Doctor Philosophy
Hubert Foss and the Politics of Musical Progress: Modernism and British Music Publishing
Associate Advisor
Other advisors: Dr Simon Perry
-
2016
Master Philosophy
Interpreting the Early Lieder of Erich Korngold: A Performer`s Perspective on So Gott und Papa will (1910)
Associate Advisor
Other advisors: Dr Simon Perry
-
2014
Master Philosophy
A performance guide to Mozart's Symphonie Concertante in E flat major (K. 364) based on the formation of style and interpretation.
Associate Advisor
Other advisors: Associate Professor Denis Collins
-
2005
Master Philosophy
INTERROGATING THE AESTHETIC: THE HIP CONTRIBUTION
Associate Advisor
-
2005
Doctor Philosophy
A MODEL OF SEQUENTIAL MUSIC TEACHING UTILISING PHILIPPINE VOCAL MATERIALS
Associate Advisor
Other advisors: Dr Liz Mackinlay
-
2002
Master Music
THE BASSOON AT THE TIME OF CARL MARIA VON WEBER
Associate Advisor
Media
Enquiries
Contact Honorary Professor Samantha Owens directly for media enquiries about:
- 17th-century music
- 18th-century music
- Baroque music
- early history of the orchestra
- early modern German court music
- German music and musicians in New Zealand and Australia, 1850–1950
- history of gramophone & radio in Australasia
- history of Western music in Australia
- history of Western music in New Zealand
- J. S. Cousser (Kusser) 1660-1727
- music in early 18th-century Dublin
- music of J. S. Bach and G. F. Handel in Australasia, 1850–1950
- oboe bands (Hautboistenbande)
- women musicians in the 17th and 18th centuries
Need help?
For help with finding experts, story ideas and media enquiries, contact our Media team: