Overview
Availability
- Professor Liam Viney is:
- Available for supervision
Qualifications
- Doctoral Diploma of Musical Arts, Yale University
Works
Search Professor Liam Viney’s works on UQ eSpace
2010
Other Outputs
Concert 5: The Passing of the Year
Viney, Liam, Grinberg, Anna, Brisbane Chamber Choir and Morton, Graeme (2010). Concert 5: The Passing of the Year. Bangalow, NSW, Australia: Southern Cross Soloists.
2010
Other Outputs
Concert 3: Black Friday: Liam Viney performance
Viney, Liam (2010). Concert 3: Black Friday: Liam Viney performance. Bangalow, NSW, Australia: Southern Cross Soloists.
2010
Other Outputs
"Warrumbungles Burning" for choir and two pianos by Stephen Leek
Leek, Stephen, Grinberg, Anna, Viney, Liam, Morton, Graeme and St Peters Chorale (2010). "Warrumbungles Burning" for choir and two pianos by Stephen Leek. Customs House, Brisbane, QLD, Australia: The University of Queensland.
2010
Other Outputs
The Australia-China project: The Golden Orb concert
The Golden Orb [金色天体], Viney, Liam, Tomlinson, Vanessa, Jennings, Graeme and Addison, John (2010). The Australia-China project: The Golden Orb concert. Beijing Central Conservatory of Music Recital Hall, China: Central Conservatory of Music.
2010
Other Outputs
Selected works
The Golden Orb, Tomlinson, Vanessa, Jennings, Graeme, Viney, Liam and Addison, John (2010). Selected works. Southbank, QLD, Australia: Queensland Conservatorium.
2010
Other Outputs
Outdoor insights
Denali Quartet and Viney, Liam (2010). Outdoor insights. First Presbyterian Church of Santa Monica, Santa Monica, CA, U.S.A.: Jacaranda: Music on the Edge.
2010
Conference Publication
Preparing a stylistically unfamiliar piano work for performance: Practice-led writing on Ross Edwards's Kumari
Blom, Diana and Viney, Liam (2010). Preparing a stylistically unfamiliar piano work for performance: Practice-led writing on Ross Edwards's Kumari. 18th International Seminar of the Commission for the Education of the Professional Musician (CEPROM 2010), Shanghai, China, 27 - 30 July 2010. Nedlands, WA, Australia: International Society for Music Education.
2009
Other Outputs
Patricia Pollett and Liam Viney
Viney, Liam and Pollett, Patricia (2009). Patricia Pollett and Liam Viney. Kelvin Grove, QLD, Australia: Queensland Academy of Creative Industries.
2009
Other Outputs
Four places in Queensland: A Q150 event
Griswold, Erik, Emmerson, Stephen, Davidson, Kylie and Viney, Liam (2009). Four places in Queensland: A Q150 event. Ian Hanger Recital Hall, Southbank, Brisbane, QLD, Australia: Queensland Conservatorium Griffith University.
2009
Other Outputs
Liam Viney: Songs without words and words without songs
Viney, Liam (2009). Liam Viney: Songs without words and words without songs. Queensland Performing Arts Centre, Southbank, QLD, Australia: Queensland Conservatorium Griffith University.
2009
Other Outputs
Louis Andriessen's "De Stijl"
Los Angeles Philharmonic New Music Group, Bringuier, Lionel, Narucki, Susan, Los Angeles Master Chorale and Viney, Liam (2009). Louis Andriessen's "De Stijl". Walt Disney Concert Hall, Los Angeles, CA, U.S.A.: Los Angeles Philharmonic Orchestra.
2009
Conference Publication
Practice-led research in practice: two pianists' preparation processes of Ross Edwards's Kumari for public performance & recording
Blom, Diana and Viney, Liam (2009). Practice-led research in practice: two pianists' preparation processes of Ross Edwards's Kumari for public performance & recording. XXXIst ANZARME Annual Conference and the 1st Conference of the Music Educators Research Centre (MERC), Akaroa, New Zealand, 3-6 July 2009. Melbourne, Australia: ANZARME.
2008
Other Outputs
"Visions de l'Amen" at Dartmouth
Viney, Liam and Grinberg, Anna (2008). "Visions de l'Amen" at Dartmouth. Faulkner Recital Hall, Hanover, NH, USA: Dartmouth College of Music.
2008
Other Outputs
Visions de l'Amen
Viney, Liam and Grinberg, Anna (2008). Visions de l'Amen. Sprague Hall, New Haven, CT, USA: Yale School of Music, Yale University.
2008
Other Outputs
Australian solo piano works recital and lecture demonstration (including Ross Edwards's "Kumari")
Viney, Liam (2008). Australian solo piano works recital and lecture demonstration (including Ross Edwards's "Kumari"). Valencia, CA, U.S.: California Institute of the Arts.
2008
Other Outputs
Piano Spheres concert: selected works
Viney, Liam (2008). Piano Spheres concert: selected works. Zipper Concert Hall, Colburn School of Performing Arts, Los Angeles, CA, U.S.A.: Piano Spheres.
2008
Other Outputs
"The Lighthouse": Chamber opera
Viney, Liam and California Institute of the Arts Chamber Players (2008). "The Lighthouse": Chamber opera. Dartington, Totnes, Devon, U.K.: Dartington International Summer School.
2008
Other Outputs
"Plastic Jubilation", for solo piano and CD accompaniment
Viney, Liam (2008). "Plastic Jubilation", for solo piano and CD accompaniment. Dartington, Totnes, Devon, U.K.: Dartington International Summer School.
2008
Other Outputs
Einojuhani Rautavaara's Clarinet Concerto
Stolzman, Richard and Viney, Liam (2008). Einojuhani Rautavaara's Clarinet Concerto. Norfolk, CT, U.S.A.: Yale University Summer School of Music.
2008
Other Outputs
State Ballet of Georgia: Giselle; Mixed Repertory
State Ballet of Georgia, Ananiashvili, Nina, Viney, Liam, Grinberg, Anna and Cani, Roberto (2008). State Ballet of Georgia: Giselle; Mixed Repertory. Royce Hall, University of California, Los Angeles, CA, U.S.A.: UCLA Live.
Funding
Past funding
Supervision
Availability
- Professor Liam Viney is:
- Available for supervision
Before you email them, read our advice on how to contact a supervisor.
Supervision history
Current supervision
-
Doctor Philosophy
Navigating the guitar: negotiating composer-performer collaboration
Principal Advisor
Other advisors: Dr Robert Davidson
-
Doctor Philosophy
Moved to Tears An Exploration of How Acting Techniques Can Transform Classical Instrumental Music Performance
Principal Advisor
Other advisors: Dr Anna Grinberg
-
Doctor Philosophy
Aesthetic and social responses to Western classical music concerts in live-in-situ and technologically mediated situational contexts
Associate Advisor
Other advisors: Dr Mary Broughton
-
Doctor Philosophy
Transformational Interactivity: Creating technologically enhanced performance experiences as an exploration of Pauline Oliveros' Deep Listening philosophy
Associate Advisor
Other advisors: Associate Professor Eve Klein
-
Doctor Philosophy
Transformational Interactivity: Creating technologically enhanced performance experiences as an exploration of Pauline Oliveros' Deep Listening philosophy
Associate Advisor
Other advisors: Associate Professor Eve Klein
-
Doctor Philosophy
Transformational Interactivity: Creating technologically enhanced performance experiences as an exploration of Pauline Oliveros' Deep Listening philosophy
Associate Advisor
Other advisors: Associate Professor Eve Klein
Completed supervision
-
2020
Master Philosophy
The Guitarist and the Non-Guitarist Composer: an analysis of contrasting collaborative models and their impact on new works for solo classical guitar
Principal Advisor
-
2020
Doctor Philosophy
Reaching the depth of the mind through premeditated improvisation
Principal Advisor
Other advisors: Dr Robert Davidson
-
2019
Doctor Philosophy
Jazz up North Down Under: An inquiry into jazz performance, culture and identity through collaborative recitals in Queensland, Australia
Principal Advisor
Other advisors: Associate Professor Julie Ballantyne
-
2019
Doctor Philosophy
A Performer's Analysis of Leonard Bernstein's Serenade
Principal Advisor
Other advisors: Associate Professor Denis Collins
-
2019
Doctor Philosophy
Interpreting and Performing the Chamber Music of Uzbek Soviet Composer Georgi Mushel: The Role of Folk Music
Principal Advisor
Other advisors: Dr Simon Perry
-
2018
Master Philosophy
Applying skills, concepts and techniques from the study of Acting to Musical Performance: A practice-based, autoethnographic approach for Classical Guitar
Principal Advisor
-
2017
Master Philosophy
From the Battlefield: Chamber Music from the Front Line of WWI
Principal Advisor
Other advisors: Dr Simon Perry
-
2016
Master Philosophy
Benjamin Britten's Winter Words, Lyrics and Ballads of Thomas Hardy, Op. 52, For High Voice and Piano: An Analytically Informed Interpretation.
Principal Advisor
Other advisors: Dr Simon Perry
-
2016
Doctor Philosophy
The Significant Other: A Flutist's Role in Performer-Composer Collaborations
Principal Advisor
Other advisors: Dr Robert Davidson
-
2021
Doctor Philosophy
Adapting French harpsichord repertoire to the piano: Interpreting François Couperin's Pièces de clavecin
Associate Advisor
Other advisors: Dr Anna Grinberg
-
2021
Doctor Philosophy
Exploring Metaxis: An exploration of Metamodern and Wabi Sabi aesthetic philosophies in a folio of original compositions.
Associate Advisor
Other advisors: Dr Robert Davidson
-
2020
Doctor Philosophy
The Syntheticistic Compositional Approach
Associate Advisor
Other advisors: Dr Robert Davidson
-
2019
Doctor Philosophy
A new methodology for contemporary music nationalism, and an investigation of perspectives on Australian popular music from the 2010s
Associate Advisor
Other advisors: Associate Professor Eve Klein
-
2017
Doctor Philosophy
Folio of Compositions and Critical Commentary
Associate Advisor
Other advisors: Dr Robert Davidson
-
2015
Doctor Philosophy
Placing identity, identifying place: an investigation of the role of place and identity in the development of artistic thought and practice
Associate Advisor
Other advisors: Associate Professor Julie Ballantyne
-
2015
Doctor Philosophy
Reflections on Composition and Consciousness
Associate Advisor
Other advisors: Dr Robert Davidson
-
2014
Doctor Philosophy
Folio of compositions and compositional commentaries
Associate Advisor
Other advisors: Dr Robert Davidson
-
2012
Master Philosophy
Approaches to Performance in Chopin's Mazurkas: A critical commentary on selected mazurkas with specific reference to dance types, rubato and ornamentation
Associate Advisor
Other advisors: Dr Simon Perry
Media
Enquiries
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