
Overview
Background
Professor Richard Fotheringham’s research interests include Australian drama, Australian performing arts policy, English Renaissance staging, textual criticism, and Australian stage comedy.
His current research includes editing early Australian plays, Australian stage comedy 1915-1930, and staging Shakespeare in Australia.
Professor Fotheringham is the author of:
- Sport in Australian Drama, Cambridge University Press.
- In Search of Steele Rudd, Uni. of Queensland Press.
- Articles on Australian drama, performing arts policy, Renaissance staging, and theory of editing.
Editor of:
- Australian Plays for the Colonial Stage 1834-1899 (Australian Academy of the Humanities, 2006).
- Community Theatre in Australia, Methuen, 1987, Currency 1992.
- Dampier and Walch's stage version of Robbery Under Arms.
Availability
- Emeritus Professor Richard Fotheringham is:
- Available for supervision
Qualifications
- Bachelor (Honours) of Arts, The University of Queensland
- Masters (Coursework), The University of Queensland
- Doctor of Philosophy, The University of Queensland
- Academy of Humanities, Academy of Humanities
Works
Search Professor Richard Fotheringham’s works on UQ eSpace
2003
Journal Article
Exiled to the colonies: 'Oscar Wilde' in Australia 1895-1897
Fotheringham, R. A. (2003). Exiled to the colonies: 'Oscar Wilde' in Australia 1895-1897. Nineteenth Century Theatre & Film, 30 (2), 55-68.
2003
Journal Article
Review of Canvas Documentaries: Panoramic Entertainments in Nineteenth-Century Australia and New Zealand. By Mimi Colligan
Fotheringham, R. (2003). Review of Canvas Documentaries: Panoramic Entertainments in Nineteenth-Century Australia and New Zealand. By Mimi Colligan. Theatre Research International, 28 (2), 216-217. doi: 10.1017/S0307883303271091
2003
Journal Article
'Spouting in the Colonies'. Review of Robert Jordan, The Convict Theatres of Early Australia 1788-1840.
Fotheringham, R. A. (2003). 'Spouting in the Colonies'. Review of Robert Jordan, The Convict Theatres of Early Australia 1788-1840.. Australian Book Review, 248, 31-31.
2003
Journal Article
Review of See How It Runs: Nimrod and the New Wave. By Julian Meyrick
Fotheringham, R. A. (2003). Review of See How It Runs: Nimrod and the New Wave. By Julian Meyrick. Theatre Research International, 28 (2), 218-219. doi: 10.1017/S0307883303291094
2002
Journal Article
An Ocker in Centre Stage
Fotheringham, R. A. (2002). An Ocker in Centre Stage. Sydney Morning Herald, 29-30 June, 10-10.
2001
Other Outputs
Colonial Australia, 1798-1901
Fotheringham, R. A. (2001). Colonial Australia, 1798-1901.
2001
Book Chapter
Introduction: Tent Shows and Abominable Showmen
Fotheringham, R. A. (2001). Introduction: Tent Shows and Abominable Showmen. Way Out West: Legends and Larrikins - A Travelling Federation Show. (pp. 7-13) edited by Margery Forde and Michael Forde. Brisbane: Playlab Press.
2001
Journal Article
Theorising the Individual Body on Stage and Screen; or, The Jizz of Martin Guerre'
Fotheringham, R. A. (2001). Theorising the Individual Body on Stage and Screen; or, The Jizz of Martin Guerre'. Journal of Dramatic Theory and Criticism, 15 (2), 17-32.
2001
Journal Article
Audiences as performers: Laughter and interpretative repertoires in a performance season for Young People
Fotheringham, R. A. (2001). Audiences as performers: Laughter and interpretative repertoires in a performance season for Young People. NJ (Drama australia Journal), 25 (2), 65-78.
2001
Journal Article
Amphitheater staging: In-the-round or to the front (and what about asides)?
Fotheringham, R. A. (2001). Amphitheater staging: In-the-round or to the front (and what about asides)?. Comparative Drama, 35 (2), 163-176. doi: 10.1353/cdr.2001.0018
2001
Book Chapter
Steele Rudd (Arthur Hoey Davis)
Fotheringham, R. A. (2001). Steele Rudd (Arthur Hoey Davis). Dictionary of Literary Biography. (pp. 327-336) edited by Selina Samuels. Detroit: Gale Research Co..
2001
Edited Outputs
Australasian Drama Studies
Australasian Drama Studies. (2001). (38)
2001
Book Chapter
Shakespeare in Queensland: A Cultural-Economic Approach
Fotheringham, R. A. (2001). Shakespeare in Queensland: A Cultural-Economic Approach. O Brave New World: Two Centuries of Shakespeare on the Australian Stage. (pp. 218-235) edited by John Golder and Richard Madelaine. Sydney: Currency Press.
2000
Journal Article
The Cambridge History of American Theatre: Vol 1, ed Don B Wilmeth & Christopher Bigsby
Fotheringham, R. A. (2000). The Cambridge History of American Theatre: Vol 1, ed Don B Wilmeth & Christopher Bigsby. Australasian Drama Studies, 37, 106-110.
2000
Journal Article
Writing in dark times
Fotheringham, R. A. (2000). Writing in dark times. Ignite, 4, 10-12.
2000
Book Chapter
Theatre from 1788 to the 1960s
Fotheringham, R. A. (2000). Theatre from 1788 to the 1960s. Cambridge Companion to Australian Literature. (pp. 134-157) edited by Elizabeth Webby. Melbourne: Cambridge U P.
2000
Journal Article
Defiance: Political Theatre in Brisbane, 1930-1962
Fotheringham, R. A. (2000). Defiance: Political Theatre in Brisbane, 1930-1962. NJ (Drama Australia Journal), 24 (1), 125-127.
1995
Book
In search of Steele Rudd : author of the classic Dad & Dave stories
Fotheringham, Richard, 1947- (1995). In search of Steele Rudd : author of the classic Dad & Dave stories. St. Lucia, Qld.: University of Queensland Press.
1995
Other Outputs
Parsifal: or, The Redemption of Kundry
Fotheringham, Richard and Kelly, Veronica (1995). Parsifal: or, The Redemption of Kundry.
1995
Other Outputs
Ostracised
Fotheringham, Richard and Kelly, Veronica (1995). Ostracised.
Funding
Supervision
Availability
- Emeritus Professor Richard Fotheringham is:
- Available for supervision
Before you email them, read our advice on how to contact a supervisor.
Supervision history
Completed supervision
-
2005
Master Philosophy
DISCOURSE AND POWER: DANGEROUS DIALOGUES IN THE WORKS OF JOHN MARSTON
Principal Advisor
-
2005
Doctor Philosophy
WHAT OH TONIGHT: THE METHODOLOGY FACTOR AND PRE-1930's AUSTRALIAN VARIETY THEATRE (with Special Focus on the One Act Musical Comedy, 1914-1920)
Principal Advisor
Other advisors: Emeritus Professor Veronica Kelly
-
2002
Master Philosophy
NED KELLY AND THE AUSTRALIAN IDENTITY
Principal Advisor
-
2014
Doctor Philosophy
Shakespeare's Voice: A Theory of the Voice in Performance
Associate Advisor
Other advisors: Emeritus Professor Joanne Tompkins
-
2010
Doctor Philosophy
Imbricated Identity and the Theatre Star in Early-Twentieth-Century Australasia
Associate Advisor
Other advisors: Emeritus Professor Veronica Kelly
-
2009
Doctor Philosophy
Theatre audience contribution through the post-performance discussion
Associate Advisor
Other advisors: Emeritus Professor Joanne Tompkins, Emeritus Professor Veronica Kelly
-
2008
Doctor Philosophy
Women at Work on Page and Stage: The Work of Eliza Winstanley
Associate Advisor
-
2006
Master Philosophy
SUZUKI AND BEYOND: ADAPTING THE SUZUKI ACTOR TRAINING METHOD
Associate Advisor
Other advisors: Associate Professor Rob Pensalfini
-
2006
Master Philosophy
RECONCILIATION ON STAGE: THE POLITICS OF INDIGENOUS REPRESENTATION IN BRISBANE THEATRE'S 1999 'RECONCILIATION PLAYS'
Associate Advisor
Other advisors: Emeritus Professor Joanne Tompkins
-
2005
Master Philosophy
Shakespeare and indigeneity: performative encounters in Australia and Aotearoa/New Zealand
Associate Advisor
Media
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