
Overview
Background
Professor Richard Fotheringham’s research interests include Australian drama, Australian performing arts policy, English Renaissance staging, textual criticism, and Australian stage comedy.
His current research includes editing early Australian plays, Australian stage comedy 1915-1930, and staging Shakespeare in Australia.
Professor Fotheringham is the author of:
- Sport in Australian Drama, Cambridge University Press.
- In Search of Steele Rudd, Uni. of Queensland Press.
- Articles on Australian drama, performing arts policy, Renaissance staging, and theory of editing.
Editor of:
- Australian Plays for the Colonial Stage 1834-1899 (Australian Academy of the Humanities, 2006).
- Community Theatre in Australia, Methuen, 1987, Currency 1992.
- Dampier and Walch's stage version of Robbery Under Arms.
Availability
- Emeritus Professor Richard Fotheringham is:
- Available for supervision
Qualifications
- Bachelor (Honours) of Arts, The University of Queensland
- Masters (Coursework), The University of Queensland
- Doctor of Philosophy, The University of Queensland
- Academy of Humanities, Academy of Humanities
Works
Search Professor Richard Fotheringham’s works on UQ eSpace
1987
Journal Article
Dramatic Copyright in Australia to 1912
Atkinson, Roslyn and Fotheringham, Richard (1987). Dramatic Copyright in Australia to 1912. Australasian Drama Studies, 11, 47-63.
1985
Journal Article
The Doubling of Roles on the Jacobean Stage
Fotheringham, Richard (1985). The Doubling of Roles on the Jacobean Stage. Theatre Research International, 10 (1), 18-32. doi: 10.1017/S0307883300010464
Funding
Supervision
Availability
- Emeritus Professor Richard Fotheringham is:
- Available for supervision
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Supervision history
Completed supervision
-
2005
Master Philosophy
DISCOURSE AND POWER: DANGEROUS DIALOGUES IN THE WORKS OF JOHN MARSTON
Principal Advisor
-
2005
Doctor Philosophy
WHAT OH TONIGHT: THE METHODOLOGY FACTOR AND PRE-1930's AUSTRALIAN VARIETY THEATRE (with Special Focus on the One Act Musical Comedy, 1914-1920)
Principal Advisor
Other advisors: Emeritus Professor Veronica Kelly
-
2002
Master Philosophy
NED KELLY AND THE AUSTRALIAN IDENTITY
Principal Advisor
-
2014
Doctor Philosophy
Shakespeare's Voice: A Theory of the Voice in Performance
Associate Advisor
Other advisors: Emeritus Professor Joanne Tompkins
-
2010
Doctor Philosophy
Imbricated Identity and the Theatre Star in Early-Twentieth-Century Australasia
Associate Advisor
Other advisors: Emeritus Professor Veronica Kelly
-
2009
Doctor Philosophy
Theatre audience contribution through the post-performance discussion
Associate Advisor
Other advisors: Emeritus Professor Joanne Tompkins, Emeritus Professor Veronica Kelly
-
2008
Doctor Philosophy
Women at Work on Page and Stage: The Work of Eliza Winstanley
Associate Advisor
-
2006
Master Philosophy
SUZUKI AND BEYOND: ADAPTING THE SUZUKI ACTOR TRAINING METHOD
Associate Advisor
Other advisors: Associate Professor Rob Pensalfini
-
2006
Master Philosophy
RECONCILIATION ON STAGE: THE POLITICS OF INDIGENOUS REPRESENTATION IN BRISBANE THEATRE'S 1999 'RECONCILIATION PLAYS'
Associate Advisor
Other advisors: Emeritus Professor Joanne Tompkins
-
2005
Master Philosophy
Shakespeare and indigeneity: performative encounters in Australia and Aotearoa/New Zealand
Associate Advisor
Media
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