
Overview
Background
Associate Professor Eve Klein’s compositions have been called vivid, revolutionary, inclusive, moving and must-see. Winner of the 2023 Art Music Award for Experimental Practice, Klein brings orchestral music into dialogue with immersive and interactive technologies for screen, art music and mass festival audiences. Klein's work has been experienced by hundreds of thousands of people globally at Salisbury Cathedral, Burning Man, New York University, VIVID Sydney, MONA, GOMA, Brisbane Festival, World Science Festival, the Arts Centre Melbourne and the State Library of Queensland. As Lead Composer for Textile Audio, Eve crafts City Symphony, an interactive AR music experience overlaying Brisbane CBD (available via iOS and Android app stores).
Klein creates artworks in collaboration with community groups, festivals, researchers, and NGOs to achieve community transformation goals. Recent projects have explored gendered and racial violence, climate change, disaster recovery and refugee rights. Klein's work, Vocal Womb, is an example of this practice, allowing the audience to explore the relationship between voice, identity and power by stepping into and directly manipulating the voice of another. The premier was called the "#1 coolest thing at MOFO 2018" (Timeout Melbourne) and "One of the must-see music/artworks of the 2018 festival... a deeply considered engagement with the history and traditions of opera" (The Conversation).
Klein is Associate Professor of Music Technology, leading an interactive music and spatial audio research cluster at the University of Queensland, guiding postgraduate composers on the creation of immersive, interacitve, virtual reality and augmented reality concert works and operas.
"This is contemporary music at its most relevant – it is simultaneously inward and outward focused in addressing the challenge of its existence and its capacity to produce something great.” - Melonie Bayl-Smith, Cyclic Defrost, Issue 31
“Excellence in Experimental Practice was awarded to Eve Klein for City Symphony, a Brisbane sound walk revolutionising audiences' engagement with urban environments, underpinned by an ethos of collaborative inclusivity and accessibility.” -Australian Music Centre
“One of the must-see music/art works of the 2018 festival was Eve Klein’s Vocal Womb … a deeply considered engagement with the history and traditions of opera.” - Svenja J. Kratz -The Conversation
Availability
- Associate Professor Eve Klein is:
- Not available for supervision
- Media expert
Fields of research
Qualifications
- Doctor of Philosophy, Queensland University of Technology
Research interests
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Interactive Music Composition and Performance
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Immersive and Spatial Audio Production and Composition
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Music Production and Sound Recording Practice
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Contemporary Art Music Composition
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Screen Music Composition
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Contemporary Opera and Vocal Composition
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Intersectional Feminist Music Practice
Works
Search Professor Eve Klein’s works on UQ eSpace
2010
Book Chapter
Selfmade CD: texture and narrative in DIY and small run CD production
Klein, Eve (2010). Selfmade CD: texture and narrative in DIY and small run CD production. Coverscaping: discovering album aesthetics. (pp. 73-87) edited by Asbjørn Grønstad and Øyvind Vågnes. Copenhagen, Denmark: Museum Tusculanum Press.
2006
Journal Article
Maltese Australian Ghana performance and debates of home
Klein, Eve (2006). Maltese Australian Ghana performance and debates of home. Journal of Intercultural Studies, 26 (1-2), 57-73. doi: 10.1080/07256860500074011
2005
Journal Article
Gendered adaptations of Maltese Ghana performance in Melbourne
Klein, Eve (2005). Gendered adaptations of Maltese Ghana performance in Melbourne. Perfect Beat, 7 (3), 36-59.
2005
Conference Publication
“QUITE A DILEMMA!” Musical performance and debate concerning the usefulness of the Maltese language in Australia
Klein, Eve (2005). “QUITE A DILEMMA!” Musical performance and debate concerning the usefulness of the Maltese language in Australia. International Small Island Cultures Conference, Kagoshima, Japan, 7-10 February 2005. Sydney, Australia: Small Island Cultures Research Initiative.
2005
Book Chapter
Femininity and Voice in Felicity’s New Shadow
Klein, Eve (2005). Femininity and Voice in Felicity’s New Shadow. Markets & margins: Australian country music. (pp. 115-142) edited by Mark Evans and Geoff Walden. Gympie, QLD, Australia: Australian Institute of Country Music.
Funding
Past funding
Supervision
Availability
- Associate Professor Eve Klein is:
- Not available for supervision
Supervision history
Current supervision
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Doctor Philosophy
The Singer-Songwriter-Producer: Exploring the Nexus Between Music Technology and Contemporary Songwriting
Principal Advisor
Other advisors: Dr Robert Davidson, Associate Professor Julie Ballantyne
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Doctor Philosophy
Sonic Imagination: Towards a creative music production methodology for composers and songwriters exploring concepts examined within sound studies
Principal Advisor
Other advisors: Dr Anne Levitsky
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Doctor Philosophy
Transformational Interactivity: Creating technologically enhanced performance experiences as an exploration of Pauline Oliveros' Deep Listening philosophy
Principal Advisor
Other advisors: Professor Liam Viney
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Doctor Philosophy
Ethical touring in a post-carbon economy
Principal Advisor
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Doctor Philosophy
Hot & Heavy, an exploration of sonic interaction and immersivity through a posthuman feminism lens
Principal Advisor
Other advisors: Dr Emma Cole
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Doctor Philosophy
Enhancing Auditory Immersion in Interactive Virtual Reality Environments
Associate Advisor
Other advisors: Dr Nell Baghaei
Completed supervision
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2024
Doctor Philosophy
Creating opera utilising augmented reality and virtual reality technologies
Principal Advisor
Other advisors: Dr Fred Fialho Leandro Alves Teixeira
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2023
Doctor Philosophy
Returning to Reality: a portfolio and reflective exegesis exploring the creation of interactive musical compositions within physical and virtual immersive environments
Principal Advisor
Other advisors: Dr Fred Fialho Leandro Alves Teixeira
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2023
Doctor Philosophy
The creative development of Julie, an original historical musical theatre work based on the life of Julie d'Aubigny.
Principal Advisor
Other advisors: Professor Bronwyn Lea
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2019
Doctor Philosophy
A new methodology for contemporary music nationalism, and an investigation of perspectives on Australian popular music from the 2010s
Principal Advisor
Other advisors: Professor Liam Viney
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2019
Doctor Philosophy
A View from the Summit: Dedications to Human Tragedy, Folio of Compositions and Critical Commentary
Principal Advisor
Other advisors: Associate Professor Denis Collins
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2024
Doctor Philosophy
Big band of the future? Applying experimental composition techniques to unlock freedom and agency in large jazz ensemble
Associate Advisor
Other advisors: Dr Robert Davidson
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2023
Master Philosophy
I'm Just a Musician: Multi-Stylistic Portfolio Musicians' Life Histories, Identities, and Competencies
Associate Advisor
Other advisors: Associate Professor Julie Ballantyne
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2020
Doctor Philosophy
Counterpoint and Performance of Guitar Music ¿ Historical and Contemporary Case Studies
Associate Advisor
Other advisors: Associate Professor Denis Collins
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2020
Doctor Philosophy
Musical Language as a Gradual Process: Compositional Modes and Perceptions of Authenticity in Steve Reich's 'Different Trains' (1988) and 'WTC 9/11' (2010).
Associate Advisor
Other advisors: Dr Simon Perry
Media
Enquiries
Contact Associate Professor Eve Klein directly for media enquiries about:
- Artistic Research
- Music Composition
- Women in Australian Music
- Women in Music Production
- Women in Music Technology
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